SPECIAL
Special articles by the NiEW editorial staff


Naotaro Moriyama Discusses Facing Death’s Edge: His Father’s Passing and His Own Journey

Oda Kaori: Weaving Voices to Resonate Through Time

Aisho Nakajima, who expresses himself as queer, aims to be the person he needed to be when he was little.

The Path of One Girl: Kafu and Kaika Reflect with Yūki Yamato

Nairu Yamamoto: The Muse Behind Indie Cinema

MARCO, the president of “MANNERS KNOWS,” uses his experience as a rider in a creative way.

Neo Sora: Unveiling Essential Truths Beyond Rules in ‘HAPPYEND’ — A Tale of Friendship and Defiance

Yutaka Oyama, 3rd generation Tsugaru shamisen player and participated in Arashi’s tour fascinates with the breadth of his shamisen repertoire

Kiyoshi Kurosawa’s Vision: Finding Hope in a Descent into Hell

‘My Sunshine’: An Exploration of Hiroshi Okuyama’s Film Through Gaze, Breath, and Sound

Kohei Igarashi × Tatsunari Ota: Embracing Serendipity Beyond the System’s Grasp

Yoko Yamanaka on ‘Desert of Namibia’: Yuumi Kawai’s Miraculous Collaboration and Social Struggles

Director Naoko Yamada’s Journey: ‘The Colors Within’ as a Milestone Following ‘A Silent Voice’

‘The Royal Hotel’ Director on Navigating Harassment: Empowering the Courage to Say “No”

‘Deadpool & Wolverine’: Unraveling the Ultimate Bromance Saga

From ‘Oppenheimer’ to ‘All of Us Strangers’: Cinematic Highlights of Early 2024″

Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.
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