SPECIAL

#PR #MUSIC

From ChatGPT to Copenhagen: How Yui Neats and Markus Artved Found Each Other

Atsutake Kaneko 2026.9.10｜14:32

#ART

Inside Hiroshi Sugimoto’s EXTINCTION Exhibition: Photography, Time, and Truth

Shimanuki Taisuke 2026.9.3｜17:53

#MOVIE

Yeon Sang-ho × Hideo Kojima: Creating Beyond the Market

Michiyo Nishimori 2026.8.27｜14:09

#PR #MUSIC

Suzu Toyama Is Just Getting Started

Ryohei Matsunaga 2026.7.30｜14:16

#MOVIE

How Anna Nagase Brought Akane banashi’s Rakugo Performer to Life

Fumiko Kawazoe 2026.7.23｜13:34

#MUSIC

Joe Keery on Growing Up, Change, and Moving Forward

若林楓 2026.7.2｜16:41

#MOVIE

Ryusuke Hamaguchi on All of a Sudden and the Art of Drawing Audiences In

Tsuyoshi Asai 2026.7.2｜14:07

#PR #MUSIC

DAMONS YEAR Wants You to Fall Apart Instead of Pretending You’re Fine

山本大地 2026.5.14｜15:16

#PR #MUSIC

SB19 Are Redefining Global Pop from the Philippines

坂井彩花 2026.5.1｜12:27

#ART

After the Spell Breaks What Remains Kristina Rozhkova Unbewitched

中島良平 2026.4.3｜23:01

#MUSIC

Ayano Kaneko and OGRE YOU ASSHOLE What Moves Them Live

Atsutake Kaneko 2026.4.3｜22:35

#PR #MUSIC

Ichika Nito and Hayato Sumino on Musical Philosophy and Resonance as Global Soloists

Atsutake Kaneko 2026.3.12｜15:17

#PR #MUSIC

Taking Taiwan Indie Global: Emerge Music’s Nuno on Asia’s Music Alliance

Atsutake Kaneko 2026.2.5｜18:12

#MUSIC

Calling Out From Somewhere in the Fog: Shintaro Sakamoto’s “Yoo-hoo”

Ryohei Matsunaga 2026.1.29｜14:57

#MUSIC

Takuro Okada on the Making of konoma: Between Minimalism, Jazz, and Cross-Cultural Dialogue

Yuji Shibasaki 2026.1.22｜17:07

#PR #MUSIC

Rasmus Faber Weaves EDM and Anime Experience into Bold New Sound

小野島大 2026.1.15｜15:01

#MUSIC

The Japanese Band That Counts Fans, Not Streams: LOSTAGE Explained

Shoichi Yamamoto 2026.1.8｜14:44

#PR #MUSIC

Laura day romance on “Nemuru”: A Two-Part Journey Through “Walls” and “Bridges”

Fumiaki Amano 2026.1.8｜13:46