Love, Life, and Self-Worth: Yui Shetona’s Guide to Staying True to Yourself
Kuroda Takanori
SPECIAL
Special articles by the NiEW editorial staff
#PR #MUSIC
Kuroda Takanori
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Salasa on Embracing Endings: Finding Peace in the Natural Flow of Grief
Yuri Matsui
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Bridging Worlds: SIRUP and Ayumu Imazu Tackle Social Issues
Daniel Takeda
#PR #MUSIC
Kyoto’s Summer Whales Dive Deep: Embracing the Power of Individuality in Their First Interview
Fumiaki Amano
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On the Ground: Why ‘Berlin Techno’ Earned UNESCO Intangible Cultural Heritage Status
Kana Miyazawa
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Emerald’s Yosuke Nakano Explores Harmony with Others and Reminisces About PaperBagLunchbox
Atsutake Kaneko
#MUSIC
aespa Stuns Tokyo Dome with Powerhouse Performances and Individual Flair
Minami Goto
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Techno Tactics: Pasocom Music Club × LAUSBUB Formula for Living Through Music
Shoichiro Kotetsu
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Odottebakari no Kuni Speaks Out: How “On the Shore” Embraces the Joy of Escape
Atsutake Kaneko
#MUSIC
Hakushi Hasegawa’s “Mahōgakkō”: Reinventing Clichés for the Next Pop Standard
NordOst / 松島広人
#MUSIC
“INSPIRE TOKYO 2024”: A Cultural Melting Pot Attracts Music Lovers and Market Goers
Hideo Miyamoto
#MUSIC
Yuki Chiba’s Post-KOHH Comeback: “Team Tomodachi” and “Mamushi” with Megan Thee Stallion
Takahiro Kanazawa
#PR #MUSIC
S2O JAPAN: How Thai Songkran Birthed Japan’s Ultimate Wet Fest
Takahiro Kanazawa
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Echoes in the Void: Shibuya Keiichiro’s Android Opera Music Beyond Humanity
yukijinbo
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21st Century’s Cornelius and the Ambient Era: Cornelius Reflects on YMO’s Trio at Midlife
Shoichi Yamamoto
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Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.
NiEW
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Masashi Yoshida crosses over from the underground hip-hop scene to “Critique Rebirth School”
NiEW
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“HELLO INDIE” Makes a Comeback After Five Years: Solid Indie Music Heaven with a “PWYW” System
Maki Shibata
RECOMMEND
#MOVIE
Shintaro Sakamoto Through the Eyes of Tokyo Swindlers’ Director
Ryohei Matsunaga
#MUSIC
What Kikagaku Moyo Taught Us: Reflections After Our First US Tour
Tsutomu Sonoda
#MUSIC
Chappo on How Meeting Haruomi Hosono Sparked Their Formation and Unique Sound
Atsutake Kaneko
#MUSIC
xiangyu Channels Curiosity into Her Debut Album
Takahiro Kanazawa
#MUSIC
KOM_I in Brazil: Living Between Cultures
Yuri Matsui
#MOVIE
How ‘Mobile Suit Gundam GQuuuuuuX’ Reinvents the Universal Century with Anno, Tsurumaki, and Enokido at the Helm
Shuka Yamada
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Kaika’s First Album and Musical Journey: The Blooming of a Gifted Songwriter
Atsutake Kaneko
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2025.5.30
MONO NO AWARE Announces Solo Show in May, Featuring Direction by GROUPN
NiEW
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2025.5.30
Khaki Announces Release of Unreleased 12-Track Album “Hakko”
NiEW
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2025.5.30
NiEW presents “exPoP!!!!!,” featuring Yūtai Communications, Fumi Noguchi, Doona, and Magical Choco Mint Club
NiEW
#MUSIC
2025.5.30
STUTS Releases Anniversary Song for Newoman Yokohama’s 5th Anniversary
NiEW
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2025.5.31
FUJI & SUN ’25’ Announces First Lineup: Naotaro Moriyama, Satoko Shibata, Yuta Orisaka and More
NiEW
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2025.5.31
The Chemical Brothers to Headline Makuhari’s First-Ever ‘THE BEACH 2025’ Festival
NiEW
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2025.5.31
Hibiya Music Festival Announces First Wave of Artists: Kenji Ozawa, imase, Kiyoshi Hikawa + KIINA, and More
NiEW
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2025.5.31
Shizuoka’s “FUJI & SUN ’25” Adds Tavito Nanao, Yoshiwara Gion Taiko Sessions, and More
NiEW
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2025.5.31
MURA MASA, 250, MELTMODE Join Final Lineup for THE BEACH 2025 at Makuhari Beach
NiEW
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2025.5.31
Final Acts Revealed for FUJI & SUN Festival in Fuji City
NiEW