SPECIAL
Special articles by the NiEW editorial staff


Emerald’s Yosuke Nakano Explores Harmony with Others and Reminisces About PaperBagLunchbox

aespa Stuns Tokyo Dome with Powerhouse Performances and Individual Flair

Techno Tactics: Pasocom Music Club × LAUSBUB Formula for Living Through Music

Odottebakari no Kuni Speaks Out: How “On the Shore” Embraces the Joy of Escape

Hakushi Hasegawa’s “Mahōgakkō”: Reinventing Clichés for the Next Pop Standard

“INSPIRE TOKYO 2024”: A Cultural Melting Pot Attracts Music Lovers and Market Goers

Yuki Chiba’s Post-KOHH Comeback: “Team Tomodachi” and “Mamushi” with Megan Thee Stallion

S2O JAPAN: How Thai Songkran Birthed Japan’s Ultimate Wet Fest

Echoes in the Void: Shibuya Keiichiro’s Android Opera Music Beyond Humanity

21st Century’s Cornelius and the Ambient Era: Cornelius Reflects on YMO’s Trio at Midlife

Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.

Masashi Yoshida crosses over from the underground hip-hop scene to “Critique Rebirth School”

“HELLO INDIE” Makes a Comeback After Five Years: Solid Indie Music Heaven with a “PWYW” System

Exploring Harmonies: Misaki Umei’s Journey at 22, Mastering the Piano Language

Yuta Orisaka Quietly Revitalizes “Jumon”: If He Were to Wish for Something in This World

Riko’s Secret Garden Odyssey – Inspired by Hitsujibungaku: 12 Butterfly Embraces

Debut Interview: Fuki Kitamura, the Yamagata Prodigy Painting Soundscapes
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