Singer-songwriter Nagisa Murakami has unveiled two consecutive singles, “Riyuu wa Nai” and “Uraniwa,” both shaped under the artistic guidance of Yuma Abe from never young beach. Balancing her role as a nursery school teacher, Murakami began captivating audiences with her acoustic performances in Tokyo’s cafés and live music scenes. Her folk-rooted sound and soaring vocals earned acclaim, leading to collaborations with acts like THE Love Ningen and kiss the gambler. In 2024, she lent her voice to Abe’s track “Fuyugoe” on HOSONO HOUSE COVERS and his solo album Hotel New Yuma. This creative partnership naturally evolved, with Abe stepping in to produce Murakami’s latest works.
Their bond goes beyond shared musical styles—it’s built on a steadfast commitment to their art. While their songs exude warmth and joy, at their core lies a fierce artistic integrity. From the defiant “Riyuu wa Nai,” which challenges the demand for easy explanations, to the introspective “Uraniwa,” emphasizing self-care, these tracks are deeply personal reflections by Murakami, amplified by Abe’s fresh perspective. We explore their journey, the collaborative process, and the unique outlook that fuels their artistry.
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The Spark That Ignited Their Collaboration
How did the two of you meet?
Abe: I was the one who reached out. Last year, while recording for my solo work, I found myself wanting a female voice. Then, by chance, a video of Nagisa singing appeared on my social media feed. Her voice struck me as incredible. I watched a few more videos and noticed we had many mutual acquaintances, so I reached out to her through Instagram DM, and we started by meeting up for a meal.
What specifically about Nagisa’s voice drew you in?
Abe: It felt so natural, uncontrived—like her singing alone could transform the entire scenery. When I listened to her songs, I also noticed her unique approach to lyrics. It’s not often you hear someone write such words to those kinds of melodies and chord progressions. I was intrigued and wanted to know what was going on in her mind, which is another reason I reached out.
Which song left the strongest impression on you?
Abe: The first song that really struck me was Sodate!—it’s so catchy and refreshing. It gave me the same feeling I get when I listen to someone like Sachiko Kanenobu. That kind of atmosphere is rare these days, and I thought it was really special. So initially, we worked together on recording Fuyugoe, a song by Haruomi Hosono.
How much were you familiar with never young beach and Abe’s music before?
Murakami: I’ve been listening to never young beach since I was in high school, so I’ve always known about Abe. I also followed him on social media, so when the message came out of the blue, I thought, “Is this for real?” But, as Abe mentioned earlier, we had a lot of mutual acquaintances, so I guess that’s how he got to know me. I really like both his music and his personality, so I was really happy to have the chance to work together.
What were your impressions of each other when you actually spoke for the first time?
Abe: In a good way, I thought she was different—she’s someone who can speak up and say what she doesn’t like, and that alone made me trust her.
Murakami: From Abe’s music and the way he speaks, I felt that we both share a stubborn side. When we actually started working together, I saw him repeatedly facing himself in the studio. Watching him not hide the struggles he was going through, I was reminded that music isn’t just about fun. It turned out to be such a valuable experience.