Techno Tactics: Pasocom Music Club × LAUSBUB Formula for Living Through Music
Shoichiro Kotetsu
SPECIAL
Special articles by the NiEW editorial staff
#MUSIC
Shoichiro Kotetsu
#MUSIC
Odottebakari no Kuni Speaks Out: How “On the Shore” Embraces the Joy of Escape
Atsutake Kaneko
#MUSIC
Hakushi Hasegawa’s “Mahōgakkō”: Reinventing Clichés for the Next Pop Standard
NordOst / 松島広人
#MUSIC
“INSPIRE TOKYO 2024”: A Cultural Melting Pot Attracts Music Lovers and Market Goers
Hideo Miyamoto
#MUSIC
Yuki Chiba’s Post-KOHH Comeback: “Team Tomodachi” and “Mamushi” with Megan Thee Stallion
Takahiro Kanazawa
#PR #MUSIC
S2O JAPAN: How Thai Songkran Birthed Japan’s Ultimate Wet Fest
Takahiro Kanazawa
#MUSIC
Echoes in the Void: Shibuya Keiichiro’s Android Opera Music Beyond Humanity
yukijinbo
#MUSIC
21st Century’s Cornelius and the Ambient Era: Cornelius Reflects on YMO’s Trio at Midlife
Shoichi Yamamoto
#MUSIC
Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.
NiEW
#MUSIC
Masashi Yoshida crosses over from the underground hip-hop scene to “Critique Rebirth School”
NiEW
#PR #MUSIC
“HELLO INDIE” Makes a Comeback After Five Years: Solid Indie Music Heaven with a “PWYW” System
Maki Shibata
#PR #MUSIC
Exploring Harmonies: Misaki Umei’s Journey at 22, Mastering the Piano Language
Atsutake Kaneko
#PR #MUSIC
Yuta Orisaka Quietly Revitalizes “Jumon”: If He Were to Wish for Something in This World
Hajime Oishi
#PR #ART
Riko’s Secret Garden Odyssey – Inspired by Hitsujibungaku: 12 Butterfly Embraces
Atsutake Kaneko
#PR #MUSIC
Debut Interview: Fuki Kitamura, the Yamagata Prodigy Painting Soundscapes
Atsutake Kaneko
#MUSIC
OGRE YOU ASSHOLE Outdoor Spectacle: Shintaro Sakamoto and Jim O’Rourke at “”DELAY 2024″”
Ryohei Matsunaga
#PR #MUSIC
Merlion Marks 15 Years of Solo Activities: The Ideal Path to Pursuing His Musical Passion
Daiki Mine
#MUSIC
Rapper & Interpreter MEISO realizes Fun & Learning “Edutainment” Through Books
NiEW
RECOMMEND
#MUSIC
maya ongaku on the Road: A Glimpse into Their Evolving Philosophy Abroad
Hiroyoshi Tomite
#MUSIC
Sayo Komada Preserves Shamisen Tradition with a Twist: Why She Plays “Can’t Stop” on Instagram
Takahiro Kanazawa
#MUSIC
10 Years with Atarashii Gakko! and Defying the Norms
Tomonori Shiba
#MUSIC
Manami Kakudo’s Yamagata Performance: A Musical Collaboration with Local Artists
imdkm
#MUSIC
Eiko Ishibashi Reflects on Music Today: Anger and Ambiguous Affirmation in Antigone
Shoichi Yamamoto
#BOOK
Butter’s Asako Yuzuki on Why Overlooked Japanese Novels Became Global Sensations
Yoko Hasada
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2025.9.18
Shun Ishiwaka Leads Band for Special Live Session with Robert Glasper and Yasuyuki Okamura
NiEW
#MUSIC
2025.9.18
Ringo Sheena and Kaho Nakamura Join Shun Ishiwaka-Led Band for Session Live
NiEW
#MOVIE
2025.9.19
‘Boy Kills World’ Set for September Release, Starring Bill Skarsgård in a Silent Action Role
NiEW
#MOVIE
2025.9.19
Wes Anderson’s Latest Film ‘The Phoenician Scheme’ to Hit Japanese Theaters in September
NiEW
#MUSIC
2025.9.20
Yamagata’s Gampeki Music Festival Announces Final Chapter, Returning After Three Years
NiEW
#ART
2025.9.20
“Ghosts: When the Invisible Visible” opens at Arts Maebashi
NiEW
#MUSIC
2025.9.21
SUSHIBOYS Announce Solo Tour with Four Shows
NiEW
#MUSIC
2025.9.21
Yasuyuki Horigome’s “Uma no Hone” Marks 20th Anniversary with First Best-of Album
NiEW
#MUSIC
2025.9.23
STUTS Adds Guests for Arena Show: BIM, DJ FUMIYA, RYO-Z, and Schadaraparr
NiEW
#MUSIC
2025.9.23
Hokkaido’s “FAHDAY” Unveils Second Wave of Acts Including Quruli and Saho Terao
NiEW