Kyoto’s Summer Whales Dive Deep: Embracing the Power of Individuality in Their First Interview
Fumiaki Amano
SPECIAL
Special articles by the NiEW editorial staff
#PR #MUSIC
Fumiaki Amano
#MUSIC
On the Ground: Why ‘Berlin Techno’ Earned UNESCO Intangible Cultural Heritage Status
Kana Miyazawa
#MUSIC
Emerald’s Yosuke Nakano Explores Harmony with Others and Reminisces About PaperBagLunchbox
Atsutake Kaneko
#MUSIC
aespa Stuns Tokyo Dome with Powerhouse Performances and Individual Flair
Minami Goto
#MUSIC
Techno Tactics: Pasocom Music Club × LAUSBUB Formula for Living Through Music
Shoichiro Kotetsu
#MUSIC
Odottebakari no Kuni Speaks Out: How “On the Shore” Embraces the Joy of Escape
Atsutake Kaneko
#MUSIC
Hakushi Hasegawa’s “Mahōgakkō”: Reinventing Clichés for the Next Pop Standard
NordOst / 松島広人
#MUSIC
“INSPIRE TOKYO 2024”: A Cultural Melting Pot Attracts Music Lovers and Market Goers
Hideo Miyamoto
#MUSIC
Yuki Chiba’s Post-KOHH Comeback: “Team Tomodachi” and “Mamushi” with Megan Thee Stallion
Takahiro Kanazawa
#PR #MUSIC
S2O JAPAN: How Thai Songkran Birthed Japan’s Ultimate Wet Fest
Takahiro Kanazawa
#MUSIC
Echoes in the Void: Shibuya Keiichiro’s Android Opera Music Beyond Humanity
yukijinbo
#MUSIC
21st Century’s Cornelius and the Ambient Era: Cornelius Reflects on YMO’s Trio at Midlife
Shoichi Yamamoto
#MUSIC
Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.
NiEW
#MUSIC
Masashi Yoshida crosses over from the underground hip-hop scene to “Critique Rebirth School”
NiEW
#PR #MUSIC
“HELLO INDIE” Makes a Comeback After Five Years: Solid Indie Music Heaven with a “PWYW” System
Maki Shibata
#PR #MUSIC
Exploring Harmonies: Misaki Umei’s Journey at 22, Mastering the Piano Language
Atsutake Kaneko
#PR #MUSIC
Yuta Orisaka Quietly Revitalizes “Jumon”: If He Were to Wish for Something in This World
Hajime Oishi
#PR #ART
Riko’s Secret Garden Odyssey – Inspired by Hitsujibungaku: 12 Butterfly Embraces
Atsutake Kaneko
RECOMMEND
#MUSIC
Fujii Kaze’s “Prema” Looks Outward, Recasting J-Pop for a Global Stage
Kotaro Kikuchi
#MUSIC
Ichiko Aoba’s Luminescent Creatures: The Enchanted Traditions of Isolated Hateruma
Hajime Oishi
#MUSIC
Yuransen Interview: Stepping Confidently into Adulthood with Their Latest Release
Fumiaki Amano
#MUSIC
maya ongaku on the Road: A Glimpse into Their Evolving Philosophy Abroad
Hiroyoshi Tomite
#MUSIC
10 Years with Atarashii Gakko! and Defying the Norms
Tomonori Shiba
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2025.11.2
Pixies Returns to Tokyo and Osaka After Three-Year Hiatus
NiEW
#MOVIE
2025.11.7
“Princess Mononoke” Hits IMAX Across Japan with Dolby Cinema and English Subtitles
NiEW
#MUSIC
2025.11.8
Travis Scott to Bring His $200 Million Tour to Japan with Belluna Dome Show in Saitama
NiEW
#MUSIC
2025.11.8
Beer and Music Come Together at the “Brewin’ Groove Festival” in Tachikawa
NiEW
#ART
2025.11.8
EASTEAST_TOKYO 2025 Art Fair Returns to Tokyo with an Asia-Focused Vision
NiEW
#MUSIC
2025.11.9
NiEW’s Monthly Event “exPoP!!!!!” Expands into First-Ever Festival in Shibuya
NiEW
#MUSIC
2025.11.9
exPoP!!!!! Reunion 2025 Announces First Wave of Lineup: WONK, Satoko Shibata, Dongurizu, and More
NiEW
#MUSIC
2025.11.9
“exPoP!!!!! Reunion 2025” Adds 12 New Acts Including Helsinki Lambda Club, Khaki, HOME and More
#MUSIC
2025.11.9
“exPoP!!!!! Reunion 2025” Reveals 3rd Lineup with 12 Artists, Including Dos Monos and More
NiEW
#MUSIC
2025.11.9
exPoP!!!!! Reunion 2025 Adds Yasuyuki Horikomi, OGRE YOU ASSHOLE, Summer Eye, No Buses, and Maika Loubté
NiEW