NOT WONK’s Kato on “FAHDAY2024”: Preserving Culture in Modern Cities
Daichi Yajima
SPECIAL
Special articles by the NiEW editorial staff
#MUSIC
Daichi Yajima
#MUSIC
Harmony in Heritage: OBSG and Minyo Crusaders Discuss the Joy of Folk Music
Hajime Oishi
#PR #MUSIC
Nishina on Embracing Imperfections: Loving the Distorted You
Fumiaki Amano
#MUSIC
How cero Transforms Music Through Live Shows: A Dive into “Live O Rec”
Ryohei Matsunaga
#PR #MUSIC
Love, Life, and Self-Worth: Yui Shetona’s Guide to Staying True to Yourself
Kuroda Takanori
#MUSIC
Salasa on Embracing Endings: Finding Peace in the Natural Flow of Grief
Yuri Matsui
#MUSIC
Bridging Worlds: SIRUP and Ayumu Imazu Tackle Social Issues
Daniel Takeda
#PR #MUSIC
Kyoto’s Summer Whales Dive Deep: Embracing the Power of Individuality in Their First Interview
Fumiaki Amano
#MUSIC
On the Ground: Why ‘Berlin Techno’ Earned UNESCO Intangible Cultural Heritage Status
Kana Miyazawa
#MUSIC
Emerald’s Yosuke Nakano Explores Harmony with Others and Reminisces About PaperBagLunchbox
Atsutake Kaneko
#MUSIC
aespa Stuns Tokyo Dome with Powerhouse Performances and Individual Flair
Minami Goto
#MUSIC
Techno Tactics: Pasocom Music Club × LAUSBUB Formula for Living Through Music
Shoichiro Kotetsu
#MUSIC
Odottebakari no Kuni Speaks Out: How “On the Shore” Embraces the Joy of Escape
Atsutake Kaneko
#MUSIC
Hakushi Hasegawa’s “Mahōgakkō”: Reinventing Clichés for the Next Pop Standard
NordOst / 松島広人
#MUSIC
“INSPIRE TOKYO 2024”: A Cultural Melting Pot Attracts Music Lovers and Market Goers
Hideo Miyamoto
#MUSIC
Yuki Chiba’s Post-KOHH Comeback: “Team Tomodachi” and “Mamushi” with Megan Thee Stallion
Takahiro Kanazawa
#PR #MUSIC
S2O JAPAN: How Thai Songkran Birthed Japan’s Ultimate Wet Fest
Takahiro Kanazawa
#MUSIC
Echoes in the Void: Shibuya Keiichiro’s Android Opera Music Beyond Humanity
yukijinbo
RECOMMEND
#MUSIC
Rasmus Faber Weaves EDM and Anime Experience into Bold New Sound
小野島大
#MUSIC
The Japanese Band That Counts Fans, Not Streams: LOSTAGE Explained
Shoichi Yamamoto
#MUSIC
Laura day romance on “Nemuru”: A Two-Part Journey Through “Walls” and “Bridges”
Fumiaki Amano
#MUSIC
Ryuichi Sakamoto’s Final Years: A Documentary-Trained Director Reflects on the Film
Shoichiro Kotetsu
#MUSIC
rubens on “MELT”: Capturing Life, Loss, and Everyday Beauty in Music
Fumiaki Amano
#MUSIC
mei ehara on “All About McGuffin”: Embracing Doubt, Struggle, and Self-Reflection
Jin Otabe
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#OTHER
2026.2.5
PokéPark KANTO Debuts February 5, Tickets Available November 21
NiEW
#MUSIC
2026.2.6
Tokyo Live Nights Spotlight Helsinki Lambda Club, Cody・Lee, TENDRE, and Strange Reitaro
NiEW
#MUSIC
2026.2.7
Vaundy Announces Major Dome Tour, Breaks Record as Youngest Solo Artist to Headline
NiEW
#ART
2026.2.7
Claude Monet Exhibition ‘A Question to Landscapes’ to Open in Japan in 2026,
NiEW
#MUSIC
2026.2.7
Taeko Onuki to Make Overseas Debut at LA’s The Wiltern, Tokyo Show Also Announced
NiEW
#ART
2026.2.11
Tate Britain Brings 1990s UK Art Retrospective to Tokyo
NiEW
#MUSIC
2026.2.4
my bloody valentine to Return to Japan in February 2026
NiEW
#MUSIC
2026.2.3
my bloody valentine Adds Extra Shows in Tokyo and Osaka
NiEW
#ART
2026.1.30
Ghost in the Shell Marks 30 Years with First-Ever Large-Scale Exhibition
NiEW
#MUSIC
2026.1.24
Helsinki Lambda Club’s Kaoru Hashimoto Announces Intimate 5-City Solo Tour
NiEW