Why do musicians perform live? And why do we, as an audience, go to live shows? No matter how advanced recording and video technology becomes, it will never replicate the miracles—or perhaps accidents—that happen in that unique moment and place. Listening to cero’s live album “Live O Rec” prompts us to reflect on the concept of time—past, present, and future—and how these fleeting moments encapsulate endless possibilities.
“Live O Rec” is based on recordings from two consecutive days of live performances, but it’s far from a straightforward live album. Through edits, retakes, overdubs, and various sound manipulations, the work blends multiple layers of time and space. Yet despite these intricate processes, the core of cero’s energy remains rooted in that specific day, that moment, and that place, giving the work its distinct texture.
While the album might seem like a documentary of sorts, it’s too free in its production to fit that label—it blurs reality to create something new. At the same time, calling it a “mockumentary” doesn’t quite capture its essence either. The way time and reality flicker and sway within the sound creates an almost surreal sense of authenticity.
This interview doesn’t aim to fully demystify “Live O Rec.” Written by Ryohei Matsunaga, a journalist who has closely followed cero’s live shows since their early days, and even traveled to local tour performances, this piece is intended to offer a glimpse into the album, providing a starting point for each listener to interpret it in their own way.
INDEX
