Every day, someone’s past words get dragged into the spotlight, dissected for inconsistencies on screens big and small. And while the talking heads debate, I quietly avert my gaze, pretending not to notice. Instead, I wait for my indulgent, topping-loaded meal to arrive, already breaking the promise of restraint I made to myself just yesterday.
Enter Helsinki Lambda Club’s latest EP, “Gekkan Escape (The Monthly Escape)”—a soundtrack for all of us who stumble through our contradictions. With tracks that effortlessly swing from nostalgic indie rock to bewildering yet brilliant pop experiments, the band refuses to be pinned down. This is music born from instinct, not obligation, shaped by frontman Kaoru Hashimoto’s unwavering pursuit of whatever feels right in the moment.
Hashimoto’s candid embrace of life’s inconsistencies shines through—not as a weakness, but as a strength. Ahead of their EP release and tour, he opens up about staying true to his creative impulses and why he resists the pull of being easily understood.
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Music Crafted from the Heart
In 2024, Helsinki Lambda Club (referred to as Helsinki) performed at events like the American SXSW and their first UK tour, marking significant milestones in their musical journey. How did the experience of performing on stage in the UK feel?
Hashimoto: Both the band and my personal journey started with a deep admiration for and influence from Western music and culture, so it was truly gratifying and relieving to receive positive feedback on the tour that we approached with great anticipation. Because of the sense of “acceptance,” I’ve let go of the obsession with how to infuse my individuality into the foundation of Western rock that influenced me. Now, I feel that I can simply do what I love without being restricted by formats or expectations.

Kaoru Hashimoto (Vocals, Guitar) is the lead vocalist of Helsinki Lambda Club, a three-member band formed in Chiba in the summer of 2013, alongside Koudai Inaba (Bass, Backing Vocals) and Taiki Kumagai (Guitar). In 2023, the band celebrated their 10th anniversary and released their third full album, “Welcome to Helsinki Lambda Club.” In 2024, they performed at the American SXSW and completed their first UK tour, including the THE GREAT ESCAPE festival in Brighton. In November of the same year, they released their EP “Gekkan Escape” and are currently touring across 11 cities in Japan with their live tour, which started in December.
Many bands have mentioned that the songs that get the crowd excited differ between Japan and abroad. How was it for Helsinki Lambda Club?
Hashimoto: It definitely was the case for us too. In the UK, there’s a similar focus on melody as in Japan, and I was really impressed by how the crowd would sing along to the riffs. But more than that, what stood out abroad, in every country, was how the beat was always emphasized.
Did your approach to the audience during live shows change?
Hashimoto: I’ve become able to stand my ground more than before. As long as we’re confidently enjoying what we’re doing, there’s no need to overly focus on the audience. It’s all about pursuing what we want to do and our performance to the fullest. By sticking to the purity of that, the satisfaction ends up being much higher. When lacking confidence, you tend to read the room too much and put effort into irrelevant parts. By staying grounded, I think we can build a healthier relationship between performers and the audience.

If there’s a public impression that “Helsinki is a band known for catchy indie rock,” do you think that’s an essential part of the band’s identity for you as well?
Hashimoto: Originally, I never had a strong sense of belonging to a particular framework, and I feel like that awareness has faded over the years. The core of what we do is creating music that follows our hearts. I want to be an honest person. It may be difficult to always live according to your heart in everyday life, but when it comes to making music, I can be true to my feelings. If I don’t, it just becomes something created for the sake of making money. At the heart of it all is a pure feeling.
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Challenges Faced in Their Latest Work Post-Overseas Performances
After such experiences, “Gekkan Escape” was released. How do you feel about the response to this EP?
Hashimoto: As Helsinki Lambda Club, I feel like we’ve made progress since our previous album Welcome to Helsinki Lambda Club, but it also turned out to be quite a challenging project. The last album was a more focused effort from the band, and we gained a lot of know-how from that, so I didn’t expect this one to be as difficult. Usually, during production, I start thinking about ideas and concepts for the next project, but this time I didn’t have that luxury. Before I knew it, I was completely immersed in this EP. It was a production process that made me realize there’s still a lot of room to take on challenges. Although it’s a shorter format compared to an album, I feel like we really put everything into this work.

There are various challenges, but what specifically was difficult for you?
Hashimoto: There were many challenges, but the biggest one was definitely “singing.” As a vocalist, I’ve always had a sense that I wasn’t particularly good at singing. I believed that it was fine because our music didn’t require technical vocal skill, so I hadn’t really faced my own singing until now. My singing style is relatively flat and emotionless, but I was okay with that. However, this time, I had a clear vision for the music I wanted to create. For example, to sing a song like “Yellow” on the EP, which references soul or R&B music, I felt that I couldn’t approach it without showing respect for the culture. I had no choice but to face my own singing.
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The Importance of Self-Understanding Before Understanding Others
Everyone has their own quirks and flaws, and after more than 10 years of building up Helsinki’s legacy, facing those personal quirks wasn’t easy.
Hashimoto: I think the reason I couldn’t face them for ten years was because I resisted. But the desire to continue making music and to learn new ways of expressing myself hasn’t changed. I think I’ve reached a phase where I need to focus on the areas where I’m lacking and think about how to achieve the things I want to do.

According to the liner notes, “mutual understanding” was one of the themes of the EP. I think through the production process, you were able to deepen your own understanding as well.
Hashimoto: I feel like there’s an unconscious emotion in humans that says, “the unknown is scary.” Even with my strong curiosity, when faced with something I don’t understand, I get scared. When something frightening is right in front of us, the more timid we are, the more likely we are to react in an aggressive way. That’s why, when there’s something I don’t understand, I try to honestly admit to myself, “I’m feeling scared right now.” Once you can recognize the fear, you can also face the question of “why am I scared?”
Understanding yourself before trying to understand others. When I see hate and conflicts on social media, it often seems like the anger is rooted in, “I’ve been holding back.” But I wonder, who really forced me to hold back? Reflecting on yourself might be the key to living honestly.
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Mutual Understanding in Practice: How Helsinki Lambda Club Approaches the Divide
“Tamani Kimi no Koto wo Omoidashite Shimau Yona (I sometimes find myself thinking about you)” was born from the desire to create the most pop-oriented song yet. What inspired you to take on a more pop approach?
Hashimoto: Lately, Helsinki Lambda Club has been exploring more of a psychedelic sound, and some close to me have suggested that I should stick with this direction. But for me, pop music is also something I want to dive into. I believe Helsinki is a band that has the freedom to experiment with both.
In the past, I’ve intentionally crafted songs with the goal of reaching a wider audience, but as time passes, I’m increasingly aware of the feeling that “I’m probably out of sync with the mainstream” [laughs]. “Tamani Kimi no Koto o Omoidashite Shimau Yona” is, in my eyes, my boldest attempt to embrace pop music. I’m proud to have released it, but at the same time, it’s a test to see how much it truly fits within the pop sphere and a way to measure just how offbeat it might still be.
Why do you feel like you’re “out of sync with the mainstream”?
Hashimoto: For example, many of my favorite songs by artists are often the 7th or 8th most popular track listed on their streaming artist page [laughs]. It makes me realize that my taste in music is different from others. Also, while I don’t think we’re unsuccessful, I do always feel that Helsinki Lambda Club could be bigger.

Through crafting a “Helsinki-style pop song,” I realized that our effort to gauge how far we diverge from the mainstream is truly an exercise in mutual understanding. For “Tama ni Kimi no Koto wo Omoidasite Shimau Yo na,” we welcomed producer Hirohisa Horie back for the first time in a while. What insights did the band gain from working with an outside producer?
Hashimoto: Horie guided us with the philosophy of “let’s focus on what we can express live,” which led to a process that truly respected what we could do as a four-piece band, including the supporting members. It was a learning experience in many ways. And through it all, I was reminded that, despite experimenting with various approaches like programming, Helsinki is fundamentally a band. We’ve ventured into different areas, but at the core, it’s an organic, human connection-driven band. And sometimes, that leads to contradictions.
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Overcoming the Idea of “How Things Should Be”
“Living true to one’s passions and beliefs seems like the essence of ‘rock ‘n’ roll.’ Yet, ‘THE FAKE ESCAPE’ was inspired by embracing the contradictions of the world that you encountered in the UK. Accepting these contradictions, in a sense, aligns more with the practical mindset of a ‘worldly adult,’ which contrasts with the rebellious nature of rock ‘n’ roll. How do these two seemingly conflicting ideas coexist within you?”
Hashimoto: I think what I really want is to stay true to myself. It’s not about acting freely without a care, but as a human, there are times when my words or actions may not quite align. Yet, we’re not designed to live perfectly consistent lives, and not every loose end needs resolution. To navigate a world full of contradictions, I believe we need a solid belief to stand on. Helsinki has songs that embrace being authentic, but there are also times when strength is required. It’s these delicate, in-between moments that I want to capture in my music.

Helsinki’s music embraces both psychedelic and pop sounds, reflecting the contradictions inherent in human nature. Do you ever feel the urge to push back against the demand for simplicity or accessibility?
Hashimoto: Absolutely, I want to push back against it. While there’s a part of me that wants success and security, I don’t think I could ever trade my soul for simplicity, especially since I haven’t reached that point yet. As I look ahead to my future and career, that’s something I’m not willing to compromise. I hope that, in continuing to take risks, my journey can offer some relief to others who might feel confined by the idea of how things “should” be.
Helsinki Lambda Club “Gekkan Escape”

Release Date: November 27, 2024 (Wednesday)
Catalog Number: HAMZ-026 | JAN: 4514306023718 | Label: Hamsterdam Records / UK.PROJECT
01 THE FAKE ESCAPE
02 Kiriko
03 Yellow
04 Tamani Kimi no Koto wo Omoidashite Shimau Yona (I sometimes find myself thinking about you)
05 My Alien
Streaming Link: https://helsinkilambdaclub.lnk.to/TheMonthlyEscape
EP “Gekkan Escape” Release Tour

Hokkaido
Date: December 1, 2024 (Sun)
Venue: Sapporo BESSIE HALL
Time: Doors open at 16:30 / Show starts at 17:00
Price: ¥4,500 (+ drink fee)
Miyagi
Date: December 7, 2024 (Sat)
Venue: Sendai MACANA
Time: Doors open at 17:30 / Show starts at 18:00
Price: ¥4,500 (+ drink fee)
Niigata
Date: December 14, 2024 (Sat)
Venue: Niigata GOLDEN PIGS RED STAGE
Time: Doors open at 17:30 / Show starts at 18:00
Price: ¥4,500 (+ drink fee)
Ishikawa
Date: December 15, 2024 (Sun)
Venue: Kanazawa AZ
Time: Doors open at 17:30 / Show starts at 18:00
Price: ¥4,500 (+ drink fee)
Hiroshima
Date: December 21, 2024 (Sat)
Venue: Hiroshima CAVE-BE
Time: Doors open at 17:00 / Show starts at 17:30
Price: ¥4,500 (+ drink fee)
Kagawa
Date: December 22, 2024 (Sun)
Venue: Takamatsu DIME
Time: Doors open at 17:00 / Show starts at 17:30
Price: ¥4,500 (+ drink fee)
Osaka
Date: January 18, 2025 (Sat)
Venue: Umeda CLUB QUATTRO
Time: Doors open at 18:00 / Show starts at 19:00
Price: ¥4,800 (+ drink fee)
Aichi
Date: January 19, 2025 (Sun)
Venue: Nagoya CLUB QUATTRO
Time: Doors open at 17:00 / Show starts at 18:00
Price: ¥4,800 (+ drink fee)
Fukuoka
Date: January 25, 2025 (Sat)
Venue: Fukuoka LIVE HOUSE CB
Time: Doors open at 17:30 / Show starts at 18:00
Price: ¥4,500 (+ drink fee)
Miyazaki
Date: January 26, 2025 (Sun)
Venue: Miyazaki LAZARUS
Time: Doors open at 17:00 / Show starts at 17:30
Price: ¥4,500 (+ drink fee)
Tokyo
Date: January 29, 2025 (Wed)
Venue: Ebisu LIQUIDROOM
Time: Doors open at 18:00 / Show starts at 19:00
Price: ¥4,800 (+ drink fee)
Student Discount
Present your student ID on the day of the event for a ¥500 discount. (Valid for university student IDs.)