SPECIAL
Special articles by the NiEW editorial staff
#MUSIC
#PR #MUSIC
The “Oh well” aesthetics that saved Otake@James.
#MUSIC
Ayatake Ezaki’s solo debut album “Hajimari no Yoru”
#MUSIC
A Personal History of Ayatake Ezaki.
#MUSIC
A talk between Jinichiro Iida and Hiroo Nishizawa, who have seen BiSH at its closest. From the eve of the formation to the breakup live
#MUSIC
The Ambition of Kazuo, a DIY Artist Born in NY and Raised in Yokohama
#MUSIC
How DJ YU-KI became a DJ who plays 325 days a year
#MUSIC
What iamSHUM, an overly diverse group of artists, aims to achieve in animation production
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Interview with KOPY, a musician active in Germany and other European countries
#MUSIC
Emerald x YONA YONA WEEKENDERS talk about working class city pop
#MUSIC
Why GuruConnect, the musician behind skillkills, can keep writing avant-garde songs
Lee Heemoon: Innovation and Tradition Rooted in a Folk Song Singer
#MUSIC
Conductor Kenshiro Sakairi, who performs with world-class orchestras, talks about the appeal of orchestral classics
#MUSIC
Video Director Atsunori Toushi talks about the differences between music video production in Japan and Korea
#MUSIC
Tokyo-based band cero’s Shohei Takagi looks back on their five years
Enthusiasm for “EASTEAST_TOKYO2023”
#MUSIC
Yuto Uchino from The fin. stresses his sense of crisis. “Japanese are being obsolete.”
#MUSIC
Talking with DUFDUF Fuyuko, mental health, aiko, Sigur Rós
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NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.