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Izumi Okaya's "Would you like to have a drink at my house?"

Manga Masters’ Dinner: Gao Yan and Okaya on Work, Food, and Politics

2024.8.2

#BOOK


Manga artist Okaya Izumi’s series “Won’t You Drink at My Place?” features inviting guests to his home for drinks and conversation. In the fifth installment, Taiwanese manga artist Gao Yan joins the show.

Gao, who finds that mealtime is his only chance to relax due to his busy schedule, enjoys a one-on-one drinking session with Okaya, who shows off his culinary skills (Gao drinks non-alcoholic beverages).

Don’t miss the recipe for the “Chilled Plum Miso Pork Udon” served on the day (recipe is at the end of the article)!

Exploring Taiwanese Expressions Absent in Japanese

Gao: I have been looking forward to today very much! Please give me your best regards.

Okaya: Welcome. Are you busy these days?

Gao: Yes, I have 62 pages for next month’s installment of the series, which can be found at ……. In addition, I moved just this week, and my house is still full of cardboard boxes.

Okaya: Wow, that’s a lot of work. Gao’s pictures are so dense, so the effort is totally different from my 62 pages.

Gao Yan
Manga artist and illustrator. Born in Taipei, Taiwan in 1996. Gained significant attention with the manga Green Song – Collection of Winds, which portrays young people captivated by Japanese culture, including Happy End and Haruki Murakami. Currently serializing Sukima in Monthly Comic Beam.

Gao: I draw my manga in my native language first and then have it translated, so it takes a lot of time for translation, checking, and communication. Moreover, I don’t have a stock of stories at the moment. I have to draw the story while I’m working on the pencils.

Okaya: It looks like you can already translate it yourself.

Gao: No, not at all. I still find it unnatural to translate Taiwanese words into Japanese. What I found interesting recently is that some words commonly used in Taiwan cannot be translated directly into Japanese.

Okaya: What was that word?

Gao: “我想你”, or in English, “I miss you”. When translated into Japanese, it becomes “I miss you” or “I miss you,” but the meaning as it is is “I am thinking of you. It is a bit more ambiguous than “I miss you” or “I miss you.

Okaya: I see. In Japan, many people might be too shy to say “I miss you” or “I miss you.”

Gao: In Taiwan, it is very common. Not only to lovers, but also to family members. Even my father sends me a line saying “I miss you”.

Okaya: I don’t say “I miss you” to my family. It might depend on the family.

Gao: Around me, my father is the one who says “I miss you” the most. He says, “I want to swim to Tokyo right now.

Okaya: Your father is cute.

“Have you eaten already?”

Okaya: You work at home, don’t you, Gao?

Gao: Yes. Novelists sometimes write in coffee shops, but for manga, I have my own tools.

Okaya: You have a big LCD tablet, so it’s either at home or at work.

Gao: Novelists of the past used to travel around and write their works at inns, which is nice.

Okaya: Indeed. There are many inns associated with them. It would be hard to do that with manga, though if I had an iPad, I could probably do just the names.

Gao: Yes, that’s true. Daisuke Igarashi used to draw manga while sketching on his travels.

Okaya: I kind of admire traveling cartoonists. I might go on a trip to India next year, so I might draw manga in India.

Gao: India sounds nice! I also want to visit various places and go back to my parents’ house in Taiwan once in a while, but right now I’m too busy with work. I spend about 20 days a month drawing manga, and the remaining 10 days doing illustration work. Even my editor tells me to work in moderation. He works so much that I want to say, “That’s my line, too.

Okaya: Wow. Do you ever have days when you don’t want to do anything?

Gao: Very often, but once I start working, I get so absorbed in it that I forget to eat.

Okaya: You should eat that! Okay, I’ll boil some udon today [laughs].

Gao: Thank you [laughs]. Actually, I haven’t eaten much today.

The menu for the day consisted of chilled ume-miso pork udon noodles, bonito sashimi with spiced oil, lentil and summer vegetable salad, and grilled soaked zucchini. The recipe for chilled ume-miso pork udon noodles is at the end of this article!

Okaya: You know how your parents’ mothers always prepare a lot of food that they say, “I can’t eat this much”? Recently, I have come to understand that feeling. They say, “Eat as much as you can!

Gao: Yes, I understand. I do the same when my friends come over to my house. In Taiwan, it’s like “How are you? (呷飽没?)” is the most common greeting used in Taiwan. is the most common greeting in Taiwan.

Okaya: Wow. What do you say to that?

Gao: About 90% of the time, the answer is “I’ve eaten. The person asking doesn’t want to know if I actually ate it. If I haven’t eaten yet, I would answer, “I’ll eat it later.

Okaya: I see.

Gao: I find it most relaxing to eat with others and chat. When I am alone, even if I decide to take an hour off and not work, I can’t resist and end up working, or I feel guilty and wonder why I am taking a break. But when I get together with everyone, I don’t think about work at all, and I can relax.

Okaya: You are so serious!

Cherishing the Support of Writer Friends

Gao: No, no. Like today, I am very happy to meet with the manga artists of “Comic Beam” (*). I consider everyone in the editorial department and the manga artists who work on the series to be my “friends. Before the serialization of “Green Song,” I had been drawing manga by myself for a long time and didn’t have any friends like that, so now I am very happy.

*The monthly manga magazine published by KADOKAWA, in which the two manga artists are serializing their work.

Okaya: Being a manga artist is a personal battle. Basically, you are home alone. Drawing manga is like being asked all the time, “What do you think? Also, I feel that in the world of novels, there is a certain “scene” like a literary circle, but in the world of manga, there is not much of a community. There might be loneliness in the sense of how to fight criticism or something like that.

Gao: Yes. I consult with my editor whenever I have any problems, and he always solves my problems and concerns, and I feel reassured that he is working hard with me.

Okaya: That is reassuring. But I think Mr. Gao has the ability to cut through it as well. I think you also have the ability to open up. I guess you are solving things like, “They don’t understand me!

Gao: I am not Japanese, and I was worried that I would not be able to convey what I wanted to say clearly to the other person at the meeting, but the editor in charge was so amazing. Now I can tell what they are thinking even when they are not saying anything to each other.

Okaya: Sounds like a love song (laughs). Also, you should be careful because many manga artists suddenly fall down with a bang. I’ve been afraid of sudden death lately.

Gao: Speaking of that, I once went to a hot spring after finishing a manuscript and thought, “Okay, I’m going to relax! I went to a hot spring and immediately collapsed.

Okaya: Yes! That’s dangerous!

Gao: You work too much. I hadn’t eaten at that time, and I was overconfident about my body. I would take on jobs that I wanted to do, and it was destroying my body, but recently I’ve come to think that if the timing isn’t right, I should properly decline even if I want to do it.

Okaya: Yes. Dinner, eat properly. Let’s all go out to eat together.

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