CONTRIBUTORS
#Tsuyoshi Asai
Editor and writer. He produces articles mainly in the fields of film, rap music, skateboarding, etc.
https://twitter.com/go_asai
PICK UP
SPECIAL
#MOVIE
Yoko Hasada
SPECIAL
#MOVIE
Rie Tsukinaga
SPECIAL
#MOVIE
Tsuyoshi Asai
SPECIAL
#MOVIE
Tsuyoshi Asai
SPECIAL
#MOVIE
Yuri Matsui
SPECIAL
#MUSIC
Fumihisa Miyata
SPECIAL
#MOVIE
Tsuyoshi Kizu
#MOVIE
Kiyoshi Kurosawa’s Vision: Finding Hope in a Descent into Hell
Yoko Hasada
#MOVIE
Kohei Igarashi × Tatsunari Ota: Embracing Serendipity Beyond the System’s Grasp
Rie Tsukinaga
#MOVIE
Yoko Yamanaka on ‘Desert of Namibia’: Yuumi Kawai’s Miraculous Collaboration and Social Struggles
Tsuyoshi Asai
#MOVIE
From ‘Oppenheimer’ to ‘All of Us Strangers’: Cinematic Highlights of Early 2024″
Tsuyoshi Asai
#MOVIE
‘A Girl Named Ann’: Director Yu Irie and Yuki Takahashi Discuss the Challenges and Resolve in Portraying Tragic Events
Yuri Matsui
#MUSIC
Eiko Ishibashi Talks Collaboration with Ryusuke Hamaguchi: The Miracle of ‘Evil Does Not Exist’ and ‘GIFT’
Fumihisa Miyata
#MOVIE
Fatih Akin interview: Culture as an Outcome of Frustration
Tsuyoshi Kizu
RECOMMEND
#MOVIE
Yoko Yamanaka on ‘Desert of Namibia’: Yuumi Kawai’s Miraculous Collaboration and Social Struggles
Tsuyoshi Asai
#MOVIE
Director Naoko Yamada’s Journey: ‘The Colors Within’ as a Milestone Following ‘A Silent Voice’
HINATAKA
#MUSIC
Salasa on Embracing Endings: Finding Peace in the Natural Flow of Grief
Yuri Matsui
#FASHION
Hirofumi Kurino’s Vision: Embracing “Beyond Elitism” and the Future of Fashion
Chikei Hara
#MUSIC
aespa Stuns Tokyo Dome with Powerhouse Performances and Individual Flair
Minami Goto
#ART
Keiichi Tanaami’s Creative Odyssey: An In-Depth Look at Japan’s Legendary Modern Artist
Mika Kosugi
#MUSIC
Hakushi Hasegawa’s “Mahōgakkō”: Reinventing Clichés for the Next Pop Standard
NordOst / 松島広人
#MUSIC
Yuki Chiba’s Post-KOHH Comeback: “Team Tomodachi” and “Mamushi” with Megan Thee Stallion
Takahiro Kanazawa
#MUSIC
Techno Tactics: Pasocom Music Club × LAUSBUB Formula for Living Through Music
Shoichiro Kotetsu
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2024.10.6
HYDE Returns with First Album in Five Years and Announces Asia-America World Tour
NiEW
#MUSIC
2024.10.6
“Violently Cute” Returns to Odaiba in 2024: A Celebration of Internet Culture
NiEW
#MUSIC
2024.10.9
Hakushi Hasegawa Announces Debut Live Tour; New Collaboration with KID FRESINO Now Streaming
NiEW
#ART
2024.10.9
ONE PIECE ONLY Exhibition: A Seamless “Great Scroll” of Connected Pages
NiEW
#ART
2024.10.10
Alec Soth Unveils “A Room of Rooms” at Tokyo Photographic Art Museum
NiEW
#MOVIE
2024.10.11
‘Joker: Folie à Deux’ Hits Nationwide Theatrical Release on October 11
NiEW
#MUSIC
2024.10.11
tofubeats Returns: Nationwide Tour Set for October
NiEW
#MUSIC
2024.10.12
NOT WONK’s Kato Launches “Exchange Market of Expression” in October at Tomakomai Civic Hall Before Demolition
NiEW
#MUSIC
2024.10.12
FAHDAY in Tomakomai Announces First Wave: Ayano Kaneko and More, Curated by NOT WONK’s Kato
NiEW
#MUSIC
2024.10.12
Second Lineup Announced for ‘TOKYO ISLAND’ Festival at a “Mysterious Unknown Location”
NiEW
Jamie xx Returns to Japan After Eight Years: In Waves Album Tour Announced
Kisshomaru Shimamura’s “what is good?” Photo Exhibit Debuts with First Photobook
TAMATAMA FESTIVAL 2024 Returns to Western Tokyo, Presented by WACK and NiEW
Mori Art Museum’s Machine Love Exhibition Blends Video Games, AI, and Contemporary Art
GUCCI COSMOS Exhibition Arrives at Kyocera Museum: Celebrating 60 Years of GUCCI in Japan
“Violently Cute” Returns to Odaiba in 2024: A Celebration of Internet Culture
Japan’s OPULENCE Drag Show Hits Tokyo and Osaka for Vol. 5
‘Back to Black’: First Look at Amy Winehouse Biopic Reveals Teaser and Poster