Around seven months after the beloved band CHAI, celebrated globally and hailed by Western media, disbanded, twin frontwoman MANA and guitarist KANA have reemerged as the healing artist duo “MANAKANA.” Today, they’re taking their music to unexpected places—performing live in beauty salons, parks, and non-music events. MANA has also introduced her character “Omochiizu” and will hold her first exhibition in January 2025 in her hometown of Nagoya. Meanwhile, KANA, now a certified yoga instructor, is organizing the “Kenko Beam Fest,” all while continuing to share messages about the human spirit, our ways of living, and the world we inhabit.
As the duo of CHAI transitions into their new chapter, they’re reflecting on what drives them today. Dyson, a company dedicated to solving societal challenges through innovation, has created the “Dyson OnTrac Headphones” to help individuals tune out the noise of the world and focus on their true passions. Wearing these headphones, MANA and KANA open up about their current state of mind and the paths they’re pursuing.
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The Beginning of Their Journey as Healing Artists MANAKANA
About seven months after the disbandment of CHAI, what have you been thinking about during this time?
KANA: So many things I wanted to do came up, and the first challenge was organizing all of them. After CHAI, which had been the foundation, suddenly came to an end, so many new things came rushing in, and I was busy trying to gather them all. Now, I feel like it’s finally come together and I’m starting to settle down.
MANA: This period has been a time for me to properly reassess what I truly want to do. And now, I feel like it’s finally taking shape.
When you say things are starting to take shape, are you referring to your activities as MANAKANA?
KANA: Yes. As we’ve decided to pursue this path as healing artists, we’ve finally created some music. Together with MANA, we’re planning to build this into our next foundation.
How many songs have you completed so far?
KANA: We’ve made 12 songs, so we have an album ready.
Really?
KANA: To create 12 songs in such a short time—did it feel like they “poured out” of you?
-KANA:Did you feel like you were “overflowing” when you wrote 12 songs in such a short period of time?
KANA: Well, even though it’s 12 songs, some are only around two minutes long, so it doesn’t quite feel like 12 songs. But yeah, maybe they did just pour out. I came up with the theme of “the zodiac” and “animals,” and from there, my thoughts just came rushing out, and that became the music.
Why did the theme of “the zodiac” come up?
MANA: When we went on tour with CHAI to the U.S., I got a fortune cookie at a Chinese restaurant, and inside it, there was a horoscope. I thought, “So they have zodiac signs like Aries over here too,” and I also learned that people ask, “What’s your sign?” and talk about compatibility. But I hadn’t really heard much about the Chinese zodiac. Then, when I thought I wanted something more “earthly” than “stars,” the zodiac seemed like the perfect fit.
KANA: The flute I play has a sound similar to the shakuhachi, so I thought the cultural element of Japan really fits with the theme of the zodiac. I also really love animals. As I imagined the animals and their personalities, the melodies naturally came out on the flute, and then I added chords to them. That’s how the 12 songs came together.
In a previous interview, you mentioned that one of your goals is to perform in a way that feels like a bird landing on your shoulder.
KANA: Yes, I love animals.