SPECIAL
Special articles by the NiEW editorial staff


Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.

Masashi Yoshida crosses over from the underground hip-hop scene to “Critique Rebirth School”

“HELLO INDIE” Makes a Comeback After Five Years: Solid Indie Music Heaven with a “PWYW” System

Exploring Harmonies: Misaki Umei’s Journey at 22, Mastering the Piano Language

Yuta Orisaka Quietly Revitalizes “Jumon”: If He Were to Wish for Something in This World

Riko’s Secret Garden Odyssey – Inspired by Hitsujibungaku: 12 Butterfly Embraces

Debut Interview: Fuki Kitamura, the Yamagata Prodigy Painting Soundscapes

OGRE YOU ASSHOLE Outdoor Spectacle: Shintaro Sakamoto and Jim O’Rourke at “”DELAY 2024″”

Navigating the Abyss: Takuya Kato’s Reflection in “Seven Orifices”

Merlion Marks 15 Years of Solo Activities: The Ideal Path to Pursuing His Musical Passion

‘A Girl Named Ann’: Director Yu Irie and Yuki Takahashi Discuss the Challenges and Resolve in Portraying Tragic Events

‘Worlds Apart’: A Chronicle of Two Unlikely Cohabitants

Rapper & Interpreter MEISO realizes Fun & Learning “Edutainment” Through Books

Dog food coordinator Mitsuyuki Yuasa approaches dog health from a food perspective.

First-Ever Public Disclosure: Spotify Unveils Payments and Contributions to Japan’s Music Industry in Annual Report

POP YOURS Event Provokes Thought: Can Hip-Hop Transform into Pop Culture?

Berlin Through the Lens of The Most Beautiful Cinema ‘Kino International’: Past, Present, and Future
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NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.