SPECIAL
Special articles by the NiEW editorial staff


Odottebakari no Kuni Speaks Out: How “On the Shore” Embraces the Joy of Escape

Hakushi Hasegawa’s “Mahōgakkō”: Reinventing Clichés for the Next Pop Standard

‘The Royal Hotel’ Director on Navigating Harassment: Empowering the Courage to Say “No”

“INSPIRE TOKYO 2024”: A Cultural Melting Pot Attracts Music Lovers and Market Goers

‘Deadpool & Wolverine’: Unraveling the Ultimate Bromance Saga

Yuki Chiba’s Post-KOHH Comeback: “Team Tomodachi” and “Mamushi” with Megan Thee Stallion

S2O JAPAN: How Thai Songkran Birthed Japan’s Ultimate Wet Fest

From ‘Oppenheimer’ to ‘All of Us Strangers’: Cinematic Highlights of Early 2024″

Navigating the Conclusion of Creative Pursuits: Suguru Yamamoto from HANCHU-YUEI in Dialogue with Keiichi Sokabe

Echoes in the Void: Shibuya Keiichiro’s Android Opera Music Beyond Humanity

21st Century’s Cornelius and the Ambient Era: Cornelius Reflects on YMO’s Trio at Midlife

Uki, who presides over the “Kurashi no Schole,” thinks about how to live and be happy through tidying up.

Artist Iichiro Tanaka Expands the World with “Nonsense”

Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.

Masashi Yoshida crosses over from the underground hip-hop scene to “Critique Rebirth School”

“HELLO INDIE” Makes a Comeback After Five Years: Solid Indie Music Heaven with a “PWYW” System

Exploring Harmonies: Misaki Umei’s Journey at 22, Mastering the Piano Language
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