SPECIAL
Special articles by the NiEW editorial staff


Drag Royalty in Tokyo: Reliving the OPULENCE Night with the Queens’ Words

Toshiki Okada & Kaho Nakamura Discuss the Rhythms of Chelfitsch’s Stage

Navigating the Conclusion of Creative Pursuits: Suguru Yamamoto from HANCHU-YUEI in Dialogue with Keiichi Sokabe

Echoes in the Void: Shibuya Keiichiro’s Android Opera Music Beyond Humanity

Navigating the Abyss: Takuya Kato’s Reflection in “Seven Orifices”

Yuichi Kishino and Ryota Ideguchi Discuss Art, Culture, and Community Engagement: Starting Fresh with “Fun”

Renji Tachibana, an entertainment photographer who photographed Danshi Tachikawa for seven years, takes pictures because rakugo saved his life.

After graduating from Kyoto University, he was introduced to Shunputei Ichinosuke. The world of rakugo storytellers as told by Shunputei Ikkyu

TAMATAMA FESTIVAL 2023: A Snapshot of the Pop Culture Phenomenon with 40,000 Enthusiasts

Tokyo Festival2023: Yasutake Shimaji and Tamaki ROY ON Their New Work “Ai-no-te”

Stage review: “Banana Flower Can Be Eaten” – A story of outliers struggling to change the future

Childhood friends Miran x Ayaka Kutsuna (DAW 90000)’s unexpected reunion

Sublimating Mom’s Worries into Theater. What Asako Kikukawa thinks about child-rearing and reincarnation.

Revivification of life with Hi-Bye’s “Rebirth”

KUMI, one of the best pole dancers in Japan, talks about the appeal of pole dancing

What is the “emotional dancer” that Tsuki Takamura, who also participates in King Gnu’s music videos and Yonezu Genji’s tour, bears?

Enthusiasm for “EASTEAST_TOKYO2023”
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