SPECIAL
Special articles by the NiEW editorial staff
#MOVIE
#MOVIE
Yoko Yamanaka on ‘Desert of Namibia’: Yuumi Kawai’s Miraculous Collaboration and Social Struggles
#MOVIE
Director Naoko Yamada’s Journey: ‘The Colors Within’ as a Milestone Following ‘A Silent Voice’
#MOVIE
‘The Royal Hotel’ Director on Navigating Harassment: Empowering the Courage to Say “No”
#MOVIE
‘Deadpool & Wolverine’: Unraveling the Ultimate Bromance Saga
#MOVIE
From ‘Oppenheimer’ to ‘All of Us Strangers’: Cinematic Highlights of Early 2024″
#MUSIC
Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.
#MOVIE
Navigating the Abyss: Takuya Kato’s Reflection in “Seven Orifices”
#MOVIE
‘A Girl Named Ann’: Director Yu Irie and Yuki Takahashi Discuss the Challenges and Resolve in Portraying Tragic Events
#MOVIE
‘Worlds Apart’: A Chronicle of Two Unlikely Cohabitants
#MOVIE
Berlin Through the Lens of The Most Beautiful Cinema ‘Kino International’: Past, Present, and Future
#MOVIE
Reflecting on ‘ONE LOVE’ with Ziggy Marley: Bob Marley’s 36-Year Journey
#PR #MOVIE
Viral Triumph or Tragedy? The Emotional Toll in the Age of Viral Music
#MUSIC
Eiko Ishibashi Talks Collaboration with Ryusuke Hamaguchi: The Miracle of ‘Evil Does Not Exist’ and ‘GIFT’
#MOVIE
Is ‘Oppenheimer’ an Anti-nuclear Film? Nolan’s Vision of a Broken World
#MOVIE
Fatih Akin interview: Culture as an Outcome of Frustration
#MOVIE
The works of filmmaker Katsushika Shussin speak for what cannot be put into words in everyday life.
#MOVIE
Revolutionizing Drama: She Loves To Cook, And She Loves To Eat Ushers in a New Dramas Era
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NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
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