SPECIAL
Special articles by the NiEW editorial staff


From ‘Oppenheimer’ to ‘All of Us Strangers’: Cinematic Highlights of Early 2024″

Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.

Navigating the Abyss: Takuya Kato’s Reflection in “Seven Orifices”

‘A Girl Named Ann’: Director Yu Irie and Yuki Takahashi Discuss the Challenges and Resolve in Portraying Tragic Events

‘Worlds Apart’: A Chronicle of Two Unlikely Cohabitants

Berlin Through the Lens of The Most Beautiful Cinema ‘Kino International’: Past, Present, and Future

Reflecting on ‘ONE LOVE’ with Ziggy Marley: Bob Marley’s 36-Year Journey

Viral Triumph or Tragedy? The Emotional Toll in the Age of Viral Music

Eiko Ishibashi Talks Collaboration with Ryusuke Hamaguchi: The Miracle of ‘Evil Does Not Exist’ and ‘GIFT’

Is ‘Oppenheimer’ an Anti-nuclear Film? Nolan’s Vision of a Broken World

Fatih Akin interview: Culture as an Outcome of Frustration

The works of filmmaker Katsushika Shussin speak for what cannot be put into words in everyday life.

Revolutionizing Drama: She Loves To Cook, And She Loves To Eat Ushers in a New Dramas Era

TAMATAMA FESTIVAL 2023: A Snapshot of the Pop Culture Phenomenon with 40,000 Enthusiasts

The original experience, source of ideas, and style of work of graphic designer Tamio Iwaya.

Filmmaker Masatsugu Nagasoe, responsible for the ED of the first season of “Jujutsu Kaisen” emphasizes the weight of his work.

Beyond the Realm of Sports Drama: Grasping the Influence of the 2023 Broadcast of “Gekokujo Kyuuji.”
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