SPECIAL
Special articles by the NiEW editorial staff
#MOVIE
#MOVIE
‘Deadpool & Wolverine’: Unraveling the Ultimate Bromance Saga
#MOVIE
From ‘Oppenheimer’ to ‘All of Us Strangers’: Cinematic Highlights of Early 2024″
#MUSIC
Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.
#MOVIE
Navigating the Abyss: Takuya Kato’s Reflection in “Seven Orifices”
#MOVIE
‘A Girl Named Ann’: Director Yu Irie and Yuki Takahashi Discuss the Challenges and Resolve in Portraying Tragic Events
#MOVIE
‘Worlds Apart’: A Chronicle of Two Unlikely Cohabitants
#MOVIE
Berlin Through the Lens of The Most Beautiful Cinema ‘Kino International’: Past, Present, and Future
#MOVIE
Reflecting on ‘ONE LOVE’ with Ziggy Marley: Bob Marley’s 36-Year Journey
#PR #MOVIE
Viral Triumph or Tragedy? The Emotional Toll in the Age of Viral Music
#MUSIC
Eiko Ishibashi Talks Collaboration with Ryusuke Hamaguchi: The Miracle of ‘Evil Does Not Exist’ and ‘GIFT’
#MOVIE
Is ‘Oppenheimer’ an Anti-nuclear Film? Nolan’s Vision of a Broken World
#MOVIE
Fatih Akin interview: Culture as an Outcome of Frustration
#MOVIE
The works of filmmaker Katsushika Shussin speak for what cannot be put into words in everyday life.
#MOVIE
Revolutionizing Drama: She Loves To Cook, And She Loves To Eat Ushers in a New Dramas Era
#MUSIC
TAMATAMA FESTIVAL 2023: A Snapshot of the Pop Culture Phenomenon with 40,000 Enthusiasts
#ART
The original experience, source of ideas, and style of work of graphic designer Tamio Iwaya.
#MOVIE
Filmmaker Masatsugu Nagasoe, responsible for the ED of the first season of “Jujutsu Kaisen” emphasizes the weight of his work.
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NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.