INDEX
Dancing in Delight: Unveiling the Enchantment of Parties with Purple Disco Machine, Kungs, and Chromeo
In the fourth edition of “Floor Essence,” let’s explore DJs/producers hailing from beyond the UK. First on the list is Purple Disco Machine, a creative force embodying the 1980s revival subtly pulsating through the fabric of dance-pop in recent years. Demonstrated in his internationally acclaimed single “Hypnotized,” his sound seamlessly encapsulates the essence of 1980s disco-pop. Notably, his set at this year’s “Tomorrowland” featured a captivating array of hit songs from that era.
Until a few years ago, “Tomorrowland” was synonymous with EDM headquarters, but the festival’s trajectory appears to be evolving in sync with the shifting music landscape. The current fascination with 1980s dance-pop on the dance floor begs the question: Why this revival now? Having personally navigated my teenage years in the 1980s, I vividly recall the era’s ambiance, where Western hit songs permeated radio waves, television, and even the streets. Stripping away my nostalgia, the carefree spirit of 1980s pop music is unmistakable. It was a time when people could embrace a brighter future unencumbered by worries, and even the most solemn songs carried a thread of hope.
The seemingly frivolous pop tunes of that era, oddly enough, might encapsulate something sorely lacking in the present. Purple Disco Machine appears to be conveying the message that embracing optimism, rather than succumbing to anxiety about tomorrow, can alter our perceptions. Coupled with his consistent sense of humor, his music suggests that amid daily wars, conflicts, and tensions, there’s a need to laugh, celebrate, and lift ourselves up. This straightforward message permeates Purple Disco Machine’s work. Now a globally recognized DJ/producer, it’s no surprise that talents like Dua Lipa and Kylie were quick to recognize and collaborate with him.
In the current year, noteworthy albums from Kylie, Rick Astley, and Duran Duran have graced the music scene, each standing as masterpieces comparable to their prime. This resurgence appears intertwined with the 80s revival and the creative endeavors of artists like Purple Disco Machine. Turning our attention to Kungs, hailing from Toulon, France, born in 1996, his musical upbringing was shaped by his father’s influence, exposing him to rock icons such as The Who and The Kinks. Notably, his track “This Girl,” surpassing 1 billion views, serves as a fusion of indie rock and house, evoking the spirit of Orange Juice and early Bananarama from the 1980s—an amalgamation that can be described as a blend of indie rock and house.
Originally released in 2009 by the Australian funk group Coockin’ on 3 Burners, Kungs collaborated with the band for a revamped version in 2016, propelling it to global acclaim and securing its place on Kungs’ debut album. The track, now a dance-pop sensation, features nostalgic and infectious vocals, coupled with a straightforward house rhythm that surprisingly complements the overall vibe. Kungs’ second album, “Club Azur,” unveiled in 2022, echoes the 80s dance sound reminiscent of Purple Disco Machine, solidifying Kungs as a premier DJ headlining clubs and festivals worldwide. Remarkably, he holds the distinction of being the first DJ booked by Purple Disco Machine this year. Their shared humorous and funky 80s style has emerged as a significant trend, showcased during their joint performance in Ibiza. While their music might pose a challenge for Japanese partygoers, given its unique sound, it serves as a delightful blend of humor-infused dance-pop, perfect for gathering with friends, reveling in old hits, and creating moments of laughter and dance.
Last but not least is Chromeo, a funk duo hailing from Canada. Chromeo stands out as an early enthusiast of the Purple Disco Machine remix, showcasing their dedication to an 80s funk, disco, and synth-pop-infused dance repertoire. Renowned for their performances, Chromeo is a dance unit specializing in the vibrant sounds of 80s funk, disco, and synth-pop. The keyboardist, P-Thugg, skillfully employs a talking modulator that authentically captures the essence of 1980s funk and R&B, transporting listeners back in time. What sets them apart is their remarkable ability to blend nostalgia with pop elements while maintaining a lighthearted touch—they exude a comedic presence, infusing humor into everything they do, making their on-stage performances, such as the one at “Coachella” this year, truly entertaining. Don’t miss the show, especially with their standout keyboard stand that adds an extra layer of brilliance to their act.
The highlight is the lively home studio party hosted by Dave 1 and his brother A-Trak. Personally, I engage in a home party with my wife while enjoying this on YouTube. This time, I shared some of my favorite 80s dance-pop tunes that have been a source of joy for me in recent years. While the idea of dancing to this music in a local pub or a cozy bar sounds appealing, the reality is that it’s quite challenging to do so in Japan nowadays. While serious parties have their place, I wish more people would recognize the effectiveness of modern dance-pop in bringing back the joy and humor of dancing amidst the challenges of our everyday lives.
YODA DJ DATE
The World’s End
December 16 (sat) 16:00-22:30
Venue: Kagurane
Charge: ¥1500
GuestDJ YODA(MADCHESTER NIGHT) DJs Suzuki Kurock hide ueda Kyoko Hara
