CONTRIBUTORS
Contributors who create NiEW together.

After serving on the editorial board of “Cahiers du Cinema Japon”, he established the label “boid” in 1998 to produce and sell videos, books, CDs, etc. Since 2004, he has planned and screened a series of Bakunon (explosive sound) screenings using a live sound system for music at the Baus Theater in Kichijoji, Tokyo. In 2020, he launched a new label, “Voice Of Ghost. He is the author of “Eiga wa Bakudo de Whispering” (boid) and “Eiga to Rock ‘n’ Roll ni okeru Amerika to US to Tenka wa Kattaruka” (How America and the United States Fought in Eiga and Rock 'n' Roll) (Seidosha). His latest book, “Sorekara kara kara no other world: Fantasy Film Diary 2021-2023” (boid) will be published on December 25, 2012. BAUS,” a film he produced and directed by Motosora Boki, is scheduled to open in theaters nationwide on March 21, 2025.

Ryouko Furusawa
ドラマや映画コラム、インタビュー、イベントレポートなどを執筆するライター。ドラマ・映画・アニメ・漫画とともに育つ。『RealSound映画部』『TRILL』『FILMAGA』などに、ドラマ映画アニメに関する記事を寄稿。
X:@k_ar0202

JUNK TATSUMI
Born in Heisei era. Writes mostly about American pop culture, including music, movies, and celebrities.
note: https://note.com/ttmjunk

茶一郎
映画宣伝業務を行うかたわらYouTubeチャンネル「最新映画感想レビュー – 茶一郎」にて映画のレビュー動画を投稿。ほかラジオ番組の出演、上映イベントなどを行う。

Yoko Yamanaka
Born in 1997 in Nagano, Japan, he shot / directed his first film “Amiko” (2017) at the age of 19, which won the Audience Award at the “PFF Awards 2017”. The film was invited to the Forum section of the 68th Berlin International Film Festival in 2018 as the youngest ever, and was also screened at the Hong Kong International Film Festival, Canada's Fantasia Film Festival, and other festivals in various countries, creating a buzz. Her film “The Namibian Desert” (2024) won the FIPRESCI Prize at the 77th Cannes International Film Festival, making her the youngest female director ever to receive the award.

Marie Sekine
Researcher of representational culture. Part-time lecturer at Waseda University and other universities. Co-author of “Post Information Media Theory” (Nakanishiya Shuppan, 2018), “The Complete Guide to ‘Yuri Eiga’” (Seikaisya, 2020), “Yusaburu Cultural Studies” (Kitakyushu Shuppan, 2023), “Women's Movie Breakfast” (Film Art, 2024), " VTuber Studies" (Iwanami Shoten, 2024), etc. She has also contributed to Eureka, Gendai Shiso, and other publications.

Yuzu Aoki
2001年2月4日生まれ。神奈川県出身。ダブル主演を務めた『うみべの女の子』で、毎日映画コンクールスポニチグランプリ新人賞にノミネート。2021年公開の米映画『MINAMATA−ミナマター』ではジョニー・デップと共演。以降も、NHK連続テレビ小説『カムカムエヴリバディ』、amazon prime『モアザンワーズ』、NTV『最高の教師』などに出演し、その繊細な演技が話題に。映画『はだかのゆめ』『なぎさ』『神回』『まなみ100%』『飛べない天使』など主演作も多く、今後も公開作が控えている。

Manabu Souma
Freelance writer around movies. Born in Akita Prefecture. He is currently working for magazines such as “SCREEN,” “DVD & Video Distribution Deuta,” “CINEMA SQUARE,” theater pamphlets, and online media such as “Cinema Today,” “MOVIE WALKER PRESS,” “Pia Eiga Seikatsu,” “CINEMORE,” and so on. She loves action and horror films. Her hobby is spinning records at rock club events.

junko
Born in Tokyo, Japan. After living as an office worker for 5 years, she became a photographer in 2016. In addition to advertising, she has worked extensively on the web and in magazines.

Katsuyuki Namba
Born in Tokyo in 1966. Film researcher, critic and film critic. Graduated from Keio University, Faculty of Law, Department of Law. Author of “Hayao Miyazaki: Dream and Curse of Creativity” (Takeshobo Shinsho), and editor of “Steven Spielberg Theory” and “Tom Cruise: Career, Life, Power to Learn” (both from Filmart-sha).

Daishi Miyashiro
Film reviews. He has contributed reviews to “Leos Carax: Eiga wo Wojo Hito” (Film Art Inc.), theater pamphlets, Kinema Junpo, DVD & Video Distribution Deuta, Soen, CINEMORE, otocoto, Real Sound, Eureka, and other publications.

Tohji Aida
Bleu et Rose” (Because You Are Here), a collection of 101 reviews of his work contributed to theater pamphlets over the past quarter century, is now on sale, and on February 7, a second printing will be published with a new nudie pink color on the cover.
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NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.