Skip to main content
NEWS EVENT SPECIAL SERIES

Studio Khara’s director and video director, Hibiki Yoshizaki, has pushed his love and hard work to the limit.

2024.1.4

#ART

Apprenticeship with Koji Morimoto was a direct request

Celeina: How did you get into the world of otaku?

Yoshizaki: I really liked dance music, and in 1995, a friend invited me to join “Natural High! ’95,” Japan’s first outdoor rave party, at the invitation of a friend. I was really shocked when I saw the music video for “Extra” playing on Ken Ishii’s stage. It was completely different from the anime I had seen before, so my concept of anime changed drastically.

Takano: Is there any episode or story that led you to become an apprentice of Mr. Morimoto?

Yoshizaki: I was looking up Morimoto san in magazines and found a Thai restaurant in Hachioji that he frequented. Mr. Morimoto was not there, but the manager told me he would introduce me next time. I had been drawing illustrations that imitated Mr. Morimoto, so I kept saying, “Let me be your apprentice!”.

Celeina:Your energy is amazing. Where does your energy come from?

Yoshizaki: I don’t know, but at the time I felt like that was all I was looking at.

Celeina:So you were pursuing what you loved.

Yoshizaki: That’s right. You could say that I just didn’t want to do anything I didn’t like. When I narrowed it down, it was the only thing I could do, and I found it! That’s how I feel.

Takano: It all started when I saw the music video for “Extra. From there, I got into the world of techno, music, culture, and animation, and the way I got into it was very deep. Do you have any tips for getting into it?

Yoshizaki: I don’t know. I think it’s just the feeling of really liking it.

Takano: You still do when it comes to culture, don’t you?

Yoshizaki: I’ve become an old man, but I can’t get out of it.

Takano: You mentioned Anno-san’s name earlier, but I was deeply moved by the fact that you started working on “Neon Genesis Evangelion” because you liked it.

Yoshizaki: I am deeply moved. The first person I met at the Thai restaurant was not Mr. Morimoto, but Hiroyuki Yamaga, then president of Gainax, the company that produced “Neon Genesis Evangelion” at the time. I happened to be sitting with Mr. Yamaga, and when I showed him my drawings, he told me that they were interesting and that I should come work for him.

For me, Mr. Yamaga was the person who introduced me to the world of animation. At first, I thought it was just a company that made “Neon Genesis Evangelion,” but after more than a decade, I was picked up by Anno-san and involved in the production of the “Rebuild of Evangelion” series, which I feel is a real match.

Takano: It is a story of not only liking but also having your talent and abilities properly recognized. I’d love to hear more, but I’d like to send you a song here. Mr. Yoshizaki, I asked you to choose a song that you would like everyone to listen to at this time.

Yoshizaki: It’s “Extra (Video Edit)” by Ken Ishii, the music video by Master Morimoto that I mentioned earlier.

RECOMMEND

NiEW’S PLAYLIST

NiEW recommends alternative music🆕

NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.

EVENTS