Haruko Oishi: A Closer Look at Her Unique Personality and Career Trajectory
Atsutake Kaneko
SPECIAL
Special articles by the NiEW editorial staff
#PR #MUSIC
Atsutake Kaneko
#PR #MUSIC
She Her Her Hers’ Success in China: How They Keep Audiences Coming Back for More
Takahiro Kanazawa
#PR #MUSIC
the telephones × PAPUN BAND: How Dragon Quest Bridged Borders and Sparked Groove
Atsutake Kaneko
#PR #MUSIC
Roka’s Debut Interview: Crafting a Fresh Groove with Voice and Beats
Tsuya chan
#MUSIC
The Final Curtain for the Heritage 3000: Sound Engineering Masters Speak on Live Sound Evolution
Kazuharu Kato
#MUSIC
Defying the Odds: Yoichiro Yamazaki on the Future of rockin’on sonic Amidst Western Music’s Struggles
Kuroda Takanori
#PR #MUSIC
The Path of One Girl: Kafu and Kaika Reflect with Yūki Yamato
Atsutake Kaneko
#PR #MUSIC
Helsinki Lambda Club: Evolving After 11 Years and International Stages
Takahiro Kanazawa
#MUSIC
Nagisa Murakami × Yuma Abe: A Bond That Shapes Their Art
Atsutake Kaneko
#PR #MUSIC
From CHAI’s End to New Beginnings: MANAKANA Talks About Their Next Steps
Yukako Yajima
#PR #MUSIC
Hedigan’s Reflections: The Art of Coexistence
Yukako Yajima
#PR #MUSIC
How Suzuki Mikiko Zu Gives Voice to Anger and Inner Conflict
Koji Harie
#PR #MUSIC
The Intersection of PARCO and Culture: A Dialogue with Nariaki Obukuro
NiEW
#MUSIC
How ena mori Went From a Teen Abroad to a Global Sensation
Kotetsu Nakazato
#MOVIE
Nairu Yamamoto: The Muse Behind Indie Cinema
Yuka Kinbara
#PR #MUSIC
daisansei’s Ataku: Singing Through Clumsiness, A Journey of One-on-One Connection
Fumiaki Amano
#PR #MUSIC
Embracing Youth: Karakoram no Yamayama Talk About its Role in the Modern Era
Maki Shibata
#PR #MUSIC
The Unlikely Union of TESTSET: Revisiting LEO Imai & Seiichi Nagai’s 2010s
Atsutake Kaneko
RECOMMEND
#MUSIC
Rasmus Faber Weaves EDM and Anime Experience into Bold New Sound
小野島大
#MUSIC
The Japanese Band That Counts Fans, Not Streams: LOSTAGE Explained
Shoichi Yamamoto
#MUSIC
Laura day romance on “Nemuru”: A Two-Part Journey Through “Walls” and “Bridges”
Fumiaki Amano
#MUSIC
Ryuichi Sakamoto’s Final Years: A Documentary-Trained Director Reflects on the Film
Shoichiro Kotetsu
#MUSIC
rubens on “MELT”: Capturing Life, Loss, and Everyday Beauty in Music
Fumiaki Amano
#MUSIC
mei ehara on “All About McGuffin”: Embracing Doubt, Struggle, and Self-Reflection
Jin Otabe
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2026.2.3
my bloody valentine Adds Extra Shows in Tokyo and Osaka
NiEW
#MUSIC
2026.2.4
my bloody valentine to Return to Japan in February 2026
NiEW
#MUSIC
2026.2.4
Autechre Returns to Japan After Two Years with Immersive Pitch Black LIVE Show
NiEW
#OTHER
2026.2.5
PokéPark KANTO Debuts February 5, Tickets Available November 21
NiEW
#MUSIC
2026.2.6
Tokyo Live Nights Spotlight Helsinki Lambda Club, Cody・Lee, TENDRE, and Strange Reitaro
NiEW
#MUSIC
2026.2.7
Vaundy Announces Major Dome Tour, Breaks Record as Youngest Solo Artist to Headline
NiEW
#ART
2026.2.7
Claude Monet Exhibition ‘A Question to Landscapes’ to Open in Japan in 2026,
NiEW
#MUSIC
2026.2.7
Taeko Onuki to Make Overseas Debut at LA’s The Wiltern, Tokyo Show Also Announced
NiEW
#ART
2026.1.30
Ghost in the Shell Marks 30 Years with First-Ever Large-Scale Exhibition
NiEW
#MUSIC
2026.1.24
Helsinki Lambda Club’s Kaoru Hashimoto Announces Intimate 5-City Solo Tour
NiEW