Bridging Worlds: SIRUP and Ayumu Imazu Tackle Social Issues
Daniel Takeda
SPECIAL
Special articles by the NiEW editorial staff
#MUSIC
Daniel Takeda
#PR #MUSIC
Kyoto’s Summer Whales Dive Deep: Embracing the Power of Individuality in Their First Interview
Fumiaki Amano
#MUSIC
On the Ground: Why ‘Berlin Techno’ Earned UNESCO Intangible Cultural Heritage Status
Kana Miyazawa
#FASHION
Hirofumi Kurino’s Vision: Embracing “Beyond Elitism” and the Future of Fashion
Chikei Hara
#MUSIC
Emerald’s Yosuke Nakano Explores Harmony with Others and Reminisces About PaperBagLunchbox
Atsutake Kaneko
#MUSIC
aespa Stuns Tokyo Dome with Powerhouse Performances and Individual Flair
Minami Goto
#FASHION
Beyond the Mainstream: Hirofumi Kurino Explores New Horizons in Modern Fashion
Chikei Hara
#MUSIC
Techno Tactics: Pasocom Music Club × LAUSBUB Formula for Living Through Music
Shoichiro Kotetsu
#ART
Keiichi Tanaami’s Creative Odyssey: An In-Depth Look at Japan’s Legendary Modern Artist
Mika Kosugi
#MUSIC
Odottebakari no Kuni Speaks Out: How “On the Shore” Embraces the Joy of Escape
Atsutake Kaneko
#MUSIC
Hakushi Hasegawa’s “Mahōgakkō”: Reinventing Clichés for the Next Pop Standard
NordOst / 松島広人
#MOVIE
‘The Royal Hotel’ Director on Navigating Harassment: Empowering the Courage to Say “No”
Yoko Hasada
#MUSIC
“INSPIRE TOKYO 2024”: A Cultural Melting Pot Attracts Music Lovers and Market Goers
Hideo Miyamoto
#MOVIE
‘Deadpool & Wolverine’: Unraveling the Ultimate Bromance Saga
Genjyuro Yagyu
#MUSIC
Yuki Chiba’s Post-KOHH Comeback: “Team Tomodachi” and “Mamushi” with Megan Thee Stallion
Takahiro Kanazawa
#PR #MUSIC
S2O JAPAN: How Thai Songkran Birthed Japan’s Ultimate Wet Fest
Takahiro Kanazawa
#MOVIE
From ‘Oppenheimer’ to ‘All of Us Strangers’: Cinematic Highlights of Early 2024″
Tsuyoshi Asai
#PR #STAGE
Navigating the Conclusion of Creative Pursuits: Suguru Yamamoto from HANCHU-YUEI in Dialogue with Keiichi Sokabe
tosaariake
RECOMMEND
#MOVIE
Shintaro Sakamoto Through the Eyes of Tokyo Swindlers’ Director
Ryohei Matsunaga
#MUSIC
What Kikagaku Moyo Taught Us: Reflections After Our First US Tour
Tsutomu Sonoda
#MUSIC
Chappo on How Meeting Haruomi Hosono Sparked Their Formation and Unique Sound
Atsutake Kaneko
#MUSIC
xiangyu Channels Curiosity into Her Debut Album
Takahiro Kanazawa
#MUSIC
KOM_I in Brazil: Living Between Cultures
Yuri Matsui
#MOVIE
How ‘Mobile Suit Gundam GQuuuuuuX’ Reinvents the Universal Century with Anno, Tsurumaki, and Enokido at the Helm
Shuka Yamada
#MUSIC
Kaika’s First Album and Musical Journey: The Blooming of a Gifted Songwriter
Atsutake Kaneko
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2025.6.2
Osaka’s Weekday Outdoor Festival Brings Music Featuring PUFFY and Rikon Densetsu
NiEW
#MUSIC
2025.6.5
Yuma Abe Announces Japan and North American Tour
NiEW
#MOVIE
2025.6.6
‘We Live in Time’ Brings a Heartfelt Tale of Love and Emotion to Japan This June
NiEW
#ART
2025.6.6
ART OSAKA 2025 Unveils Video Program Tracing Japan’s Visual Art Evolution from the 1960s
NiEW
#MUSIC
2025.6.7
Khaki Kicks Off First National Tour in May, Featuring Co-Headlining Performances in 6 Cities
NiEW
#MUSIC
2025.6.7
“Chagrock” in Iwate to Feature Kroi, Sambomaster, GENERATIONS, Rikon Densetsu, and More
NiEW
#MUSIC
2025.6.7
Fuki Kitamura Announces 3rd Solo Live at Shibuya WWW
NiEW
#ART
2025.6.7
Mikio Hasui’s Seascape Photo Exhibition Featuring All Nuclear Power Plants in Japan
NiEW
#MUSIC
2025.6.8
YOASOBI Announces Wembley Arena Headline Show in London
NiEW
#MUSIC
2025.6.8
YOASOBI Adds Second London Show at Wembley Arena Due to High Demand
NiEW