Roka’s Debut Interview: Crafting a Fresh Groove with Voice and Beats
Tsuya chan
SPECIAL
Special articles by the NiEW editorial staff
#PR #MUSIC
Tsuya chan
#MUSIC
TAMATAMA FESTIVAL 2024: A Vibrant Second Year with 40,000 Enthusiasts
NiEW
#MUSIC
Aisho Nakajima, who expresses himself as queer, aims to be the person he needed to be when he was little.
NiEW
#MUSIC
The Final Curtain for the Heritage 3000: Sound Engineering Masters Speak on Live Sound Evolution
Kazuharu Kato
#MUSIC
Defying the Odds: Yoichiro Yamazaki on the Future of rockin’on sonic Amidst Western Music’s Struggles
Kuroda Takanori
#ART
Ryuichi Sakamoto | Seeing Sound, Hearing Time: A Journey into the Art of Sound and Time
Mika Kosugi
#PR #MUSIC
The Path of One Girl: Kafu and Kaika Reflect with Yūki Yamato
Atsutake Kaneko
#MUSIC
Ryoji Ikeda’s Japan Tour Kickoff: A Journey Beyond the Senses
Tsuya chan
#PR #MUSIC
Helsinki Lambda Club: Evolving After 11 Years and International Stages
Takahiro Kanazawa
#MUSIC
Nagisa Murakami × Yuma Abe: A Bond That Shapes Their Art
Atsutake Kaneko
#PR #MUSIC
Hedigan’s Live Session Unveiled: A Glimpse into the Band’s Bond and Playful Energy
Yukako Yajima
#PR #MUSIC
Hedigan’s Reflections: The Art of Coexistence
Yukako Yajima
#PR #MUSIC
How Suzuki Mikiko Zu Gives Voice to Anger and Inner Conflict
Koji Harie
#PR #MUSIC
The Intersection of PARCO and Culture: A Dialogue with Nariaki Obukuro
NiEW
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How ena mori Went From a Teen Abroad to a Global Sensation
Kotetsu Nakazato
#PR #MUSIC
daisansei’s Ataku: Singing Through Clumsiness, A Journey of One-on-One Connection
Fumiaki Amano
#PR #MUSIC
Embracing Youth: Karakoram no Yamayama Talk About its Role in the Modern Era
Maki Shibata
#PR #MUSIC
The Unlikely Union of TESTSET: Revisiting LEO Imai & Seiichi Nagai’s 2010s
Atsutake Kaneko
RECOMMEND
#MOVIE
Shintaro Sakamoto Through the Eyes of Tokyo Swindlers’ Director
Ryohei Matsunaga
#MUSIC
What Kikagaku Moyo Taught Us: Reflections After Our First US Tour
Tsutomu Sonoda
#MUSIC
Chappo on How Meeting Haruomi Hosono Sparked Their Formation and Unique Sound
Atsutake Kaneko
#MUSIC
xiangyu Channels Curiosity into Her Debut Album
Takahiro Kanazawa
#MUSIC
KOM_I in Brazil: Living Between Cultures
Yuri Matsui
#MOVIE
How ‘Mobile Suit Gundam GQuuuuuuX’ Reinvents the Universal Century with Anno, Tsurumaki, and Enokido at the Helm
Shuka Yamada
#MUSIC
Kaika’s First Album and Musical Journey: The Blooming of a Gifted Songwriter
Atsutake Kaneko
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2025.5.30
MONO NO AWARE Announces Solo Show in May, Featuring Direction by GROUPN
NiEW
#MUSIC
2025.5.30
Khaki Announces Release of Unreleased 12-Track Album “Hakko”
NiEW
#MUSIC
2025.5.30
NiEW presents “exPoP!!!!!,” featuring Yūtai Communications, Fumi Noguchi, Doona, and Magical Choco Mint Club
NiEW
#MUSIC
2025.5.30
STUTS Releases Anniversary Song for Newoman Yokohama’s 5th Anniversary
NiEW
#MUSIC
2025.5.31
FUJI & SUN ’25’ Announces First Lineup: Naotaro Moriyama, Satoko Shibata, Yuta Orisaka and More
NiEW
#MUSIC
2025.5.31
The Chemical Brothers to Headline Makuhari’s First-Ever ‘THE BEACH 2025’ Festival
NiEW
#MUSIC
2025.5.31
Hibiya Music Festival Announces First Wave of Artists: Kenji Ozawa, imase, Kiyoshi Hikawa + KIINA, and More
NiEW
#MUSIC
2025.5.31
Shizuoka’s “FUJI & SUN ’25” Adds Tavito Nanao, Yoshiwara Gion Taiko Sessions, and More
NiEW
#MUSIC
2025.5.31
MURA MASA, 250, MELTMODE Join Final Lineup for THE BEACH 2025 at Makuhari Beach
NiEW
#MUSIC
2025.5.31
Final Acts Revealed for FUJI & SUN Festival in Fuji City
NiEW