SPECIAL
Special articles by the NiEW editorial staff
#MUSIC
#MOVIE
Shunji Iwai on 30 Years of Making Films as Products
#MUSIC
Sayo Komada Preserves Shamisen Tradition with a Twist: Why She Plays “Can’t Stop” on Instagram
#MUSIC
Suchmos Revival: “We Kept You Waiting Too Long”
#ART
Reflecting on KYOTOGRAPHIE and KG+SELECT+SELECT: What International Photo Festivals Can Truly Do
#MUSIC
Manami Kakudo’s Yamagata Performance: A Musical Collaboration with Local Artists
#BOOK
AiNA THE END Looks Back on 30 Years: From Obscurity to Life After BiSH
#MUSIC
OGRE YOU ASSHOLE × Cornelius: Bound by a Distant Closeness
#MUSIC
Eiko Ishibashi Reflects on Music Today: Anger and Ambiguous Affirmation in Antigone
#MOVIE
Shintaro Sakamoto Through the Eyes of Tokyo Swindlers’ Director
#PR #MUSIC
Chappo on How Meeting Haruomi Hosono Sparked Their Formation and Unique Sound
#BOOK
Butter’s Asako Yuzuki on Why Overlooked Japanese Novels Became Global Sensations
#PR #MUSIC
xiangyu Channels Curiosity into Her Debut Album
#MUSIC
KOM_I in Brazil: Living Between Cultures
#MOVIE
How ‘Mobile Suit Gundam GQuuuuuuX’ Reinvents the Universal Century with Anno, Tsurumaki, and Enokido at the Helm
#MUSIC
Yuta Orisaka at NHK Hall: A Review from the Edge of a New Season
#MUSIC
Bonna Pot: The Unconventional Outdoor Music Journey You Need to Know About
#MUSIC
Hiromi Uehara on the Soul of Song: Her Experience with Music, Vocals, and Lyric Writing
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NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.