Shunji Iwai on 30 Years of Making Films as Products
Yoko Hasada
SPECIAL
Special articles by the NiEW editorial staff
#MOVIE
Yoko Hasada
#MUSIC
Sayo Komada Preserves Shamisen Tradition with a Twist: Why She Plays “Can’t Stop” on Instagram
Takahiro Kanazawa
#MUSIC
Suchmos Revival: “We Kept You Waiting Too Long”
Yukako Yajima
#ART
Reflecting on KYOTOGRAPHIE and KG＋SELECT＋SELECT: What International Photo Festivals Can Truly Do
Shimanuki Taisuke
#MUSIC
Manami Kakudo’s Yamagata Performance: A Musical Collaboration with Local Artists
imdkm
#BOOK
AiNA THE END Looks Back on 30 Years: From Obscurity to Life After BiSH
Shoichi Miyake
#MUSIC
OGRE YOU ASSHOLE × Cornelius: Bound by a Distant Closeness
Yuji Shibasaki
#MUSIC
Eiko Ishibashi Reflects on Music Today: Anger and Ambiguous Affirmation in Antigone
Shoichi Yamamoto
#MOVIE
Shintaro Sakamoto Through the Eyes of Tokyo Swindlers’ Director
Ryohei Matsunaga
#PR #MUSIC
Chappo on How Meeting Haruomi Hosono Sparked Their Formation and Unique Sound
Atsutake Kaneko
#BOOK
Butter’s Asako Yuzuki on Why Overlooked Japanese Novels Became Global Sensations
Yoko Hasada
#PR #MUSIC
xiangyu Channels Curiosity into Her Debut Album
Takahiro Kanazawa
#MUSIC
KOM_I in Brazil: Living Between Cultures
Yuri Matsui
#MOVIE
How ‘Mobile Suit Gundam GQuuuuuuX’ Reinvents the Universal Century with Anno, Tsurumaki, and Enokido at the Helm
Shuka Yamada
#MUSIC
Yuta Orisaka at NHK Hall: A Review from the Edge of a New Season
Hajime Oishi
#MUSIC
Bonna Pot: The Unconventional Outdoor Music Journey You Need to Know About
Kenji Takeda
#MUSIC
Hiromi Uehara on the Soul of Song: Her Experience with Music, Vocals, and Lyric Writing
Junichi Uchimoto
#PR #MUSIC
Beyond Perfection: Ayatake Ezaki Reflects on His Diverse Piano Experience
Kuroda Takanori
RECOMMEND
#ART
Ghost and the Shell: A Bold Tokyo Exhibition That Dares to Dig Deeper
Mika Kosugi
#MUSIC
Taking Taiwan Indie Global: Emerge Music’s Nuno on Asia’s Music Alliance
Atsutake Kaneko
#MUSIC
Calling Out From Somewhere in the Fog: Shintaro Sakamoto’s “Yoo-hoo”
Ryohei Matsunaga
#MUSIC
Takuro Okada on the Making of konoma: Between Minimalism, Jazz, and Cross-Cultural Dialogue
Yuji Shibasaki
#MUSIC
The Japanese Band That Counts Fans, Not Streams: LOSTAGE Explained
Shoichi Yamamoto
#MUSIC
Laura day romance on “Nemuru”: A Two-Part Journey Through “Walls” and “Bridges”
Fumiaki Amano
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2026.2.16
Mac DeMarco Announces Japan Tour for February 2026
NiEW
#MUSIC
2026.2.16
Mac DeMarco Adds Extra Japan Tour Dates
NiEW
#MUSIC
2026.2.16
ZORN and OZROSAURUS Team Up for Family Day Live at Nippon Budokan
NiEW
#MUSIC
2026.2.17
Lucy Dacus Announces Tokyo Talk & Signing Ahead of First Japan Show
NiEW
#MUSIC
2026.2.18
Wet Leg Announce Japan Tour for February 2026 with Second Album in Tow
NiEW
#MUSIC
2026.2.18
Hitsujibungaku Join wet leg’s Tokyo Show as Special Guests
NiEW
#MOVIE
2026.2.20
Cannes Winner “Sentimental Value” to Hit Japanese Theaters Joachim Trier’s Latest Film
NiEW
#MOVIE
2026.2.21
Evangelion Marks 30 Years with Special Event at Yokohama Arena
NiEW
#ART
2026.2.11
Tate Britain Brings 1990s UK Art Retrospective to Tokyo
NiEW
#MUSIC
2026.2.7
Vaundy Announces Major Dome Tour, Breaks Record as Youngest Solo Artist to Headline
NiEW
Vermeer’s ”Girl with a Pearl Earring” Comes to Osaka for a Rare Limited Time Exhibition
Thundercat Announces New Album ”Distracted” and Four-Date Japan Tour This May
Step Inside “Squid Game”: Immersive Experience Opens in Shibuya Jan 2026
LiSA Marks Her 15th Anniversary With a New Album and Major 2026 Asia Tour