Harmony in Heritage: OBSG and Minyo Crusaders Discuss the Joy of Folk Music
Hajime Oishi
SPECIAL
Special articles by the NiEW editorial staff
#MUSIC
Hajime Oishi
#PR #MUSIC
Nishina on Embracing Imperfections: Loving the Distorted You
Fumiaki Amano
#MUSIC
How cero Transforms Music Through Live Shows: A Dive into “Live O Rec”
Ryohei Matsunaga
#MOVIE
Kohei Igarashi × Tatsunari Ota: Embracing Serendipity Beyond the System’s Grasp
Rie Tsukinaga
#MOVIE
Yoko Yamanaka on ‘Desert of Namibia’: Yuumi Kawai’s Miraculous Collaboration and Social Struggles
Tsuyoshi Asai
#PR #MUSIC
Love, Life, and Self-Worth: Yui Shetona’s Guide to Staying True to Yourself
Kuroda Takanori
#MUSIC
Salasa on Embracing Endings: Finding Peace in the Natural Flow of Grief
Yuri Matsui
#MUSIC
Bridging Worlds: SIRUP and Ayumu Imazu Tackle Social Issues
Daniel Takeda
#PR #MUSIC
Kyoto’s Summer Whales Dive Deep: Embracing the Power of Individuality in Their First Interview
Fumiaki Amano
#MUSIC
On the Ground: Why ‘Berlin Techno’ Earned UNESCO Intangible Cultural Heritage Status
Kana Miyazawa
#FASHION
Hirofumi Kurino’s Vision: Embracing “Beyond Elitism” and the Future of Fashion
Chikei Hara
#MUSIC
Emerald’s Yosuke Nakano Explores Harmony with Others and Reminisces About PaperBagLunchbox
Atsutake Kaneko
#FASHION
Beyond the Mainstream: Hirofumi Kurino Explores New Horizons in Modern Fashion
Chikei Hara
#MUSIC
Techno Tactics: Pasocom Music Club × LAUSBUB Formula for Living Through Music
Shoichiro Kotetsu
#MUSIC
Odottebakari no Kuni Speaks Out: How “On the Shore” Embraces the Joy of Escape
Atsutake Kaneko
#MOVIE
‘The Royal Hotel’ Director on Navigating Harassment: Empowering the Courage to Say “No”
Yoko Hasada
#PR #MUSIC
S2O JAPAN: How Thai Songkran Birthed Japan’s Ultimate Wet Fest
Takahiro Kanazawa
#MOVIE
From ‘Oppenheimer’ to ‘All of Us Strangers’: Cinematic Highlights of Early 2024″
Tsuyoshi Asai
RECOMMEND
#MUSIC
maya ongaku on the Road: A Glimpse into Their Evolving Philosophy Abroad
Hiroyoshi Tomite
#MUSIC
Sayo Komada Preserves Shamisen Tradition with a Twist: Why She Plays “Can’t Stop” on Instagram
Takahiro Kanazawa
#MUSIC
10 Years with Atarashii Gakko! and Defying the Norms
Tomonori Shiba
#MUSIC
Manami Kakudo’s Yamagata Performance: A Musical Collaboration with Local Artists
imdkm
#MUSIC
Eiko Ishibashi Reflects on Music Today: Anger and Ambiguous Affirmation in Antigone
Shoichi Yamamoto
#BOOK
Butter’s Asako Yuzuki on Why Overlooked Japanese Novels Became Global Sensations
Yoko Hasada
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2025.10.6
ONE OK ROCK Announces European Arena Tour This Fall
NiEW
#MUSIC
2025.10.7
OZworld Announces First-Ever Solo Show at Nippon Budokan This October
NiEW
#MUSIC
2025.10.7
Foo Fighters Return to Japan for First Solo Shows in 17 Years
NiEW
#MUSIC
2025.10.7
Free Live Event “Korea Spotlight 2025” to Feature DYGL and PEDRO as Guest Acts
NiEW
#MUSIC
2025.10.9
Hitsujibungaku Announces New Album for October Release; New Track Now Streaming
NiEW
#OTHER
2025.10.9
“Naomi Watanabe’s “(20) in Tokyo Dome” Pop-up Launches at Shibuya MIYASHITA PARK
NiEW
#MUSIC
2025.10.10
Kenshi Yonezu’s “1991” Selected as Theme Song for Upcoming ‘5 Centimeters per Second’ Film
NiEW
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2025.10.11
DMC DJ World Championship to Debut in Japan
NiEW
#MUSIC
2025.10.11
Quruli Announces Kyoto Music Expo 2025 for October, Pre-Sale Tickets Now Available
NiEW
#MUSIC
2025.10.11
ASKA, RIP SLYME Lead First Lineup for Kyoto Music Expo at Umekoji Park, Hosted by Quruli
NiEW