SPECIAL
Special articles by the NiEW editorial staff


Beyond the Mainstream: Hirofumi Kurino Explores New Horizons in Modern Fashion

Techno Tactics: Pasocom Music Club × LAUSBUB Formula for Living Through Music

Odottebakari no Kuni Speaks Out: How “On the Shore” Embraces the Joy of Escape

‘The Royal Hotel’ Director on Navigating Harassment: Empowering the Courage to Say “No”

S2O JAPAN: How Thai Songkran Birthed Japan’s Ultimate Wet Fest

From ‘Oppenheimer’ to ‘All of Us Strangers’: Cinematic Highlights of Early 2024″

Navigating the Conclusion of Creative Pursuits: Suguru Yamamoto from HANCHU-YUEI in Dialogue with Keiichi Sokabe

21st Century’s Cornelius and the Ambient Era: Cornelius Reflects on YMO’s Trio at Midlife

Uki, who presides over the “Kurashi no Schole,” thinks about how to live and be happy through tidying up.

Artist Iichiro Tanaka Expands the World with “Nonsense”

Filmmaker/director Kosaku Shimamoto’s monozukuri is to “somehow bring the one back to zero”.

Masashi Yoshida crosses over from the underground hip-hop scene to “Critique Rebirth School”

Exploring Harmonies: Misaki Umei’s Journey at 22, Mastering the Piano Language

Yuta Orisaka Quietly Revitalizes “Jumon”: If He Were to Wish for Something in This World

Debut Interview: Fuki Kitamura, the Yamagata Prodigy Painting Soundscapes

Merlion Marks 15 Years of Solo Activities: The Ideal Path to Pursuing His Musical Passion

‘A Girl Named Ann’: Director Yu Irie and Yuki Takahashi Discuss the Challenges and Resolve in Portraying Tragic Events
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NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.