Calling Out From Somewhere in the Fog: Shintaro Sakamoto’s “Yoo-hoo”
Ryohei Matsunaga
SPECIAL
Special articles by the NiEW editorial staff
#MUSIC
Ryohei Matsunaga
#MUSIC
Takuro Okada on the Making of konoma: Between Minimalism, Jazz, and Cross-Cultural Dialogue
Yuji Shibasaki
#PR #MUSIC
Rasmus Faber Weaves EDM and Anime Experience into Bold New Sound
小野島大
#MUSIC
The Japanese Band That Counts Fans, Not Streams: LOSTAGE Explained
Shoichi Yamamoto
#PR #MUSIC
Laura day romance on “Nemuru”: A Two-Part Journey Through “Walls” and “Bridges”
Fumiaki Amano
#MUSIC
Ryuichi Sakamoto’s Final Years: A Documentary-Trained Director Reflects on the Film
Shoichiro Kotetsu
#PR #MUSIC
rubens on “MELT”: Capturing Life, Loss, and Everyday Beauty in Music
Fumiaki Amano
#MOVIE
Inside “The Last Blossom”: Voice Actors on Love, Loss, and Life
Koji Harie
#PR #MUSIC
mei ehara on “All About McGuffin”: Embracing Doubt, Struggle, and Self-Reflection
Jin Otabe
#MUSIC
Rol3ert’s First Interview: Music That Comforts a Divided World
Yukako Yajima
#MUSIC
Ichiko Aoba’s Luminescent Creatures: The Enchanted Traditions of Isolated Hateruma
Hajime Oishi
#PR #MUSIC
Yuransen Interview: Stepping Confidently into Adulthood with Their Latest Release
Fumiaki Amano
#MUSIC
maya ongaku on the Road: A Glimpse into Their Evolving Philosophy Abroad
Hiroyoshi Tomite
#MUSIC
10 Years with Atarashii Gakko! and Defying the Norms
Tomonori Shiba
#MOVIE
Shunji Iwai on 30 Years of Making Films as Products
Yoko Hasada
#MUSIC
Sayo Komada Preserves Shamisen Tradition with a Twist: Why She Plays “Can’t Stop” on Instagram
Takahiro Kanazawa
#BOOK
AiNA THE END Looks Back on 30 Years: From Obscurity to Life After BiSH
Shoichi Miyake
#MUSIC
OGRE YOU ASSHOLE × Cornelius: Bound by a Distant Closeness
Yuji Shibasaki
RECOMMEND
#MUSIC
Rasmus Faber Weaves EDM and Anime Experience into Bold New Sound
小野島大
#MUSIC
The Japanese Band That Counts Fans, Not Streams: LOSTAGE Explained
Shoichi Yamamoto
#MUSIC
Laura day romance on “Nemuru”: A Two-Part Journey Through “Walls” and “Bridges”
Fumiaki Amano
#MUSIC
Ryuichi Sakamoto’s Final Years: A Documentary-Trained Director Reflects on the Film
Shoichiro Kotetsu
#MUSIC
rubens on “MELT”: Capturing Life, Loss, and Everyday Beauty in Music
Fumiaki Amano
#MUSIC
mei ehara on “All About McGuffin”: Embracing Doubt, Struggle, and Self-Reflection
Jin Otabe
NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.
EVENTS
#MUSIC
2026.2.3
my bloody valentine Adds Extra Shows in Tokyo and Osaka
NiEW
#MUSIC
2026.2.4
my bloody valentine to Return to Japan in February 2026
NiEW
#MUSIC
2026.2.4
Autechre Returns to Japan After Two Years with Immersive Pitch Black LIVE Show
NiEW
#OTHER
2026.2.5
PokéPark KANTO Debuts February 5, Tickets Available November 21
NiEW
#MUSIC
2026.2.6
Tokyo Live Nights Spotlight Helsinki Lambda Club, Cody・Lee, TENDRE, and Strange Reitaro
NiEW
#MUSIC
2026.2.7
Vaundy Announces Major Dome Tour, Breaks Record as Youngest Solo Artist to Headline
NiEW
#ART
2026.2.7
Claude Monet Exhibition ‘A Question to Landscapes’ to Open in Japan in 2026,
NiEW
#MUSIC
2026.2.7
Taeko Onuki to Make Overseas Debut at LA’s The Wiltern, Tokyo Show Also Announced
NiEW
#ART
2026.1.30
Ghost in the Shell Marks 30 Years with First-Ever Large-Scale Exhibition
NiEW
#MUSIC
2026.1.24
Helsinki Lambda Club’s Kaoru Hashimoto Announces Intimate 5-City Solo Tour
NiEW