SPECIAL
Special articles by the NiEW editorial staff
#PR #MUSIC
#MUSIC
Fujii Kaze’s “Prema” Looks Outward, Recasting J-Pop for a Global Stage
#MUSIC
Rol3ert’s First Interview: Music That Comforts a Divided World
#MUSIC
Ichiko Aoba’s Luminescent Creatures: The Enchanted Traditions of Isolated Hateruma
#PR #MUSIC
Yuransen Interview: Stepping Confidently into Adulthood with Their Latest Release
#MUSIC
maya ongaku on the Road: A Glimpse into Their Evolving Philosophy Abroad
#MUSIC
10 Years with Atarashii Gakko! and Defying the Norms
#MOVIE
Shunji Iwai on 30 Years of Making Films as Products
#MUSIC
Sayo Komada Preserves Shamisen Tradition with a Twist: Why She Plays “Can’t Stop” on Instagram
#MUSIC
Suchmos Revival: “We Kept You Waiting Too Long”
#MUSIC
Manami Kakudo’s Yamagata Performance: A Musical Collaboration with Local Artists
#BOOK
AiNA THE END Looks Back on 30 Years: From Obscurity to Life After BiSH
#MUSIC
OGRE YOU ASSHOLE × Cornelius: Bound by a Distant Closeness
#MUSIC
Eiko Ishibashi Reflects on Music Today: Anger and Ambiguous Affirmation in Antigone
#MOVIE
Shintaro Sakamoto Through the Eyes of Tokyo Swindlers’ Director
#PR #MUSIC
Chappo on How Meeting Haruomi Hosono Sparked Their Formation and Unique Sound
#PR #MUSIC
xiangyu Channels Curiosity into Her Debut Album
#MUSIC
KOM_I in Brazil: Living Between Cultures
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NiEW’S PLAYLIST
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.