INDEX
The TikTok Sensation of “OTONABLUE” and The Global Smash of “Tokyo Calling”
In 2023, “OTONABLUE” blew up on TikTok, marking a huge breakthrough for Atarashii Gakko!. That time was really interesting. Overseas, with the backdrop of 88rising and Money Mark, hip-hop-influenced tracks were gaining popularity. Meanwhile, in Japan, some songs released earlier were catching on with a delay. It was a unique kind of breakout. Looking back, how do you feel about that period?
RIN: In 2023, ’OTONABLUE’ helped us gain more recognition in Japan, which really broadened the number of people interested in us. I believe many fans found us through that song. However, I feel there are still parts of us that remain unknown beyond that entry point.
We notice that gap both overseas and in Japan. For example, at summer festivals, people who first discovered us through ’OTONABLUE’ come to see our shows and react with surprise, saying things like, “They dance this much?” or “They’re this intense?” or “What is this energy?” Each time, it reminds me that there’s still so much more we need to share, and expanding that entry point for new fans is really important—something I still strongly feel today.
When a song goes viral on TikTok, it often gets quickly consumed and then fades away. But that wasn’t the case with ’Atarashii Gakko!’. In 2023, it was actually ’Tokyo Calling’ that was making waves overseas. Looking back, I think having that kind of substance alongside the viral hit was really important. What’s your take on that?
SUZUKA：I think so too. If it had only been the head-bobbing dance from “OTONABLUE” going viral on TikTok, it might’ve just been a passing trend. But we always saw that as just a stepping stone — a great opportunity.
“OTONABLUE” is a very catchy, poppy track. But that alone doesn’t satisfy our more complex, edgier side. We can’t just keep smiling all the time—we also want to express fierceness and intensity.
That’s where “Tokyo Calling” came in and fulfilled that deeper need. Having both happen at the same time was really good for us mentally. It felt empowering to be telling a unique story, and that gave us pride and confidence on stage.
“Tokyo Calling” has become a signature anthem for your overseas performances.
MIZYU: The crowd’s energy is unbelievable. From the deep bass intro, the audience lights up like a roaring flame. It makes the performance so fulfilling because we can truly feel that connection.
At our solo concert in Mexico last year, with around 8,000 people in attendance, everyone sang along to “Tokyo Calling.” Not just the catchy hooks, but every single detailed lyric. The energy was overwhelming — it was like a whole universe coming alive, something I had never experienced before.
