BRING MINYO BACK: unearthing the soul of Minyo music with Minyo Crusaders
Hayao Miyazaki’s thoughts on “13 Unsullied Stones. Commentary on “How Do You Live?”
A24’s “The Inspection” is a story about diversity based on real-life experiences
Stage review: “Banana Flower Can Be Eaten” – A story of outliers struggling to change the future
The “Oh well” aesthetics that saved Otake@James.
A talk between Jinichiro Iida and Hiroo Nishizawa, who have seen BiSH at its closest. From the eve of the formation to the breakup live
Ayatake Ezaki’s solo debut album “Hajimari no Yoru”
A Personal History of Ayatake Ezaki.
Aftersun: memories and the present crossing over with the tunes
Araiyakushi’s jazz kissa rompercicci guides you to the fascination of inexpensive vinyls
Why did Kenichi Matsuyama change? After reevaluating his life, he found an alternative acting path.
Tokyo-based band cero’s Shohei Takagi looks back on their five years
When did we fall in love with money?
Enthusiasm for “EASTEAST_TOKYO2023”
NiEW recommends alternative music🆕
NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.