Skip to main content
NEWS EVENT SPECIAL SERIES
Stronger Than Pride

Beyond Language: Shuhei Kato and Tomoki Kuwajima’s Journey into Deeper Communication

2024.9.27

#MUSIC

I followed Shirahama for a whole year. A high school student chasing after a high school punk band by himself” (Kato)

I know we’ve talked about this in various places, but can you tell us how you got started in the band?

Kato: I have always played baseball. My older brother, who is two years older than me, was a special baseball player, and I was just like, “My brother is awesome. So no matter where I went, I was treated like a younger brother, and I was fed up with it. There was a time when I was so fed up with baseball that I used to poke myself in the knee with a baseball bat [laughs]. I thought if I got hurt, I wouldn’t have to go to practice. But I couldn’t hit it that hard because it hurt so much, so I just kept on going and going and going [laughs].

Kuwajima: That part is very junior high school-like [laughs].

Kato: I retired in August of my junior year, but I had no special talents or hobbies, so I decided to just study for the time being and set my sights on Tomakomai Preparatory School. I told my parents I was going to play baseball there! I told my parents I was going to play baseball there. It was like karma to play baseball.

Kato: I had a bass guitar that my brother, who was five years older than me, had left behind, so I used it to play Kuroyume and practice Monpachi songs at home with my classmates. Then, when I was invited by a friend to learn at the home of a senior who was good at bass guitar, a senior from a different high school told me to come to his next concert, and I went to the ELCUBE for the first time right after my junior high school graduation. I went to my first ELLCUBE concert right after my junior high school graduation, and the band of Shirahama, the man who taught me all about music, was also there. As I was watching the show, Shirahama-kun came down to the floor and hugged me through the crowd. And he said, “I’m going to be in a band! I was like, “I’m going to be in a band!

That’s how you got into rock ‘n’ roll.

Kato: I followed Shirahama-kun for a whole year. I was a high school student chasing after a high school punk band by myself. At the time, I was so Shirahama-ism-like that I was embarrassed to be seen by him talking with girls [laughs]. I talked normally at school, but when I was with Shirahama-kun, I maintained a mysterious hard-core attitude. I followed him for a long time, and in November of my first year of high school, there was an event with all the bands from Tomakomai. When I went to see the event, I decided I really had to be in a band, and that’s how I started NOT WONK.

Kuwajima: Where did you come up with the band name?

Kato: We kept talking about how it would be nice to have “NOT” at the beginning. Then I opened a dictionary and found “WONK” in the “W” column. WONK” means “hardworking,” and I thought, “This is good. I didn’t want to be like a diligent student who studies all the time. I thought, “NOT WONK, this is it. That was my first year of high school, in December 2010.

When did you start using a camera?

Kuwajima:The camera itself started in high school, but the reason why I came to Tokyo in the first place was because I wanted to become Naoto Takenaka. Takenaka-san was an actor and stage actor, did comedy in the late-night slot, and also made movies. When I was in high school, I went to see “Tokyo Biyori” and cried so hard I thought I had no choice but to become Naoto Takenaka.

I wanted to go to Tama Art University, where Takenaka went to school, but I thought Tama Art would be difficult because of the drawing requirement. But when I looked into it, I found that there was a place at Musashi Art University where you could enter even if you couldn’t draw, so I took a year off and enrolled. At first, I wanted to be an actor. But I’m a shy person who likes to show off, so I’m not very good on stage [laughs].

An innate shyness.

Kuwajima: In the end, I kept trying, but it didn’t work out, and in the meantime, I had to graduate. In the 1990s, magazines were very active. I was looking at all the cool photos in culture magazines like “H,” “SWITCH,” and “STUDIO VOICE,” so I started taking photos because I admired those magazines, and when I was trying to find a job, I thought that being a photographer might be a good idea. And then I found myself here [laughs].

Back to series

RECOMMEND

NiEW’S PLAYLIST

NiEW recommends alternative music🆕

NiEW Best Music is a playlist featuring artists leading the music scene and offering alternative styles in our rapidly evolving society. Hailing from Tokyo, the NiEW editorial team proudly curates outstanding music that transcends size, genre, and nationality.

EVENTS