INDEX
A Song for an Era Where Truth and Justice Are in Flux
Among the tracks on EUPHORIA, which ones have you felt a stronger connection to when performed live, or have made you literally feel a sense of euphoria?
Shikata： I feel that way about all of them, but “Euphoria” definitely feels special when performed live. Also, “Heibon” initially gave off a more stoic vibe when we released it, almost like a house track made with samples, but over time, through performing it live, it has become a song that everyone can enjoy. I think it’s turned into an anthem in our recent shows. As for “APART”, it has quite a rock flavor, so when I mentioned earlier that we might bring out more rock elements in the future, that track might be a hint of what’s to come.
As you mentioned, you’re drawn to Supercar for its themes of resignation and transience, and “Euphoria” isn’t exactly a bright song lyrically either. In fact, lines like “It’s okay to stay anxious, as long as I’m not alone” highlight an introspective side that feels quite personal to you. Yet, you’re still trying to find a sense of euphoria in the end, which I find incredibly compelling. What did you want to express with this song?
Shikata： I think “Euphoria” and maybe even this entire album reflect the beauty in simply feeling good through the sound itself. I wanted this track to communicate that sensation as clearly and instinctively as possible.
From the very first synth, it’s about losing yourself in the sound, stepping away from all the thoughts and worries you usually have, and just soaking in the pleasure of the music. Personally, I found a lot of solace in that during this time, and I wanted the song to express the idea of accepting yourself and others. Ultimately, I hoped it would resonate with people in that way.
What part of the lyrics in “Euphoria” do you value the most?
Shikata：The part where I repeat “I’m remembering the truth now” twice, and then it changes to “I’m moving beyond that truth now” at the end—this change holds a lot of meaning for me. In a time when so many things feel uncertain and when values like truth and justice seem more fluid and diverse, transcending those choices and moving to the next step, moving beyond, feels like what brings euphoria or a sense of intoxication to me.
That’s why I really focus on singing the line “Now, beyond that” with care. After that, the synth from the intro starts again, and the chord progression shifts. Every time that happens, I almost want to cry. Even though it feels a little strange to say, I think it’s a really good song [laughs].
It’s very much connected to the line from “Easy Way Out” “What’s true doesn’t matter.” Even without a clear answer, losing yourself in the music, dancing, feeling euphoria, and waking up with a sense of change—that’s the beauty of club music. “Euphoria” really captures that experience.
Shikata : Even a tiny shift, just a few millimeters, can bring hope.
